Twenty-one years old, style to spare, streaming records on Spotify, the only female voice in the “tomboy” trap. Anna Pepe – even if now just ANNA is enough – on the evening of November 11th she started hers Club Tours al Fabrique of Milan, completely sold out. We went to hear her on her debut and found ourselves in an explosive evening. Around us very young girls dressed in pink to imitate the rapper they shared the floor with fans of almost all generations including that of accompanying parents who have now surrendered to the passion of their children.
Anna brought her vocabulary to the stage: the tones of Baddieas she calls herself and her fans, tells a message of rebellion, strength and authenticity in the clubs, which are now her signature. Seasoned with a powerful invitation to self-acceptance, the songs followed a tight setlist that included hits such as Come to the baddie, Announcement (the success that made her famous), and Tonightamong the most played songs on Italian radio.
On stage with her, for the first Milanese date (it will repeat on 18, 19, 21 and 26 November), the great special guest was Sfera Ebbastafor their featuring Chica Italianaone of the album’s highlights** Real baddie**, released last June. For fans of the genre, Sfera’s presence for the public is a stamp of authenticity, a final sign of welcome to the Milanese trap scene.
Anna also shared the stage with Artie 5ive, her partner in life, with whom she performed Rings and Necklaces And I Love ita piece that confirmed their love story in the trapper’s last album. Their complicity added an intimate and authentic note to the evening, which also alternated with more introspective moments such as Tonightwith piano accompaniment, and A girl like meperformed with the harp, subverting the idea that trap cannot be spoken with classical elements. The evening ended on a high note with the pieces that warmed up the Italian summer like Hello Kitty, 30°C, TT THE GIRLZ.
Two looks showed off for the evening: for the opening, a fuchsia chenille outfit, consisting of a sweatshirt and miniskirt, combined with snow boots that recall the urban and It girl trends of the 2000s American world of Britney Spears and Paris Hilton. Then, with a change of clothes, she wore a short playsuit by GCDS, again combined with snow fur boots.
Anna proved that she has the great superpower of pop music: knowing how to communicate with different realities, generations very distant from each other and at the same time bringing a message of decisive personal affirmation. Like her international colleagues, like Nicky Minaj And Doja Catincludes its audience in a pink world and a lot girliewhile maintaining a street language. It tells its story by establishing itself in a scene in which being a woman is a raritytalks about toxic relationships and dispenses sentimental advice. Winners, also to win the baddie of different generations, the references to the pop culture of the 2000s, such as the world of Japanese Manga and Anime, from Hello Kitty trendy Harajuku.
Source: Vanity Fair
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