Harry Styles is back, and all those who esteem him as an artist, whether in music or acting, were no longer in the skin at the thought of having him back among them again. The single is called As it wasanticipates Styles’ highly anticipated third album of unreleased tracks entitled Harry’s House – a clear quote to Joni Mitchell – which will see the light on May 20, and shows us a preview of some of the atmospheres that will be breathed in his latest work, which arrived exactly 3 years after Fine Line. In the video, shot in London by the Ukrainian director Tanu Muino and capable of gathering more than 10 million views on YouTube in just a few hours, Styles plays with fluidity once again, sporting a red sequined outfit, red lacquered nails and a pretty good body.
Harry Styles
The text talks about loneliness, of the black hole in which you stumble when you think you have no one to rely on and which is capable of leading to such a strong despair as to consider the idea of giving up living and fighting. A strong and absolutely danceable piece that allows Harry Styles to open the dance and prepare for the next performance Coachella Festival and his new world tour Love on Tourwhich will lead him to perform in stadiums and arenas around the globe starting June 11 in Glasgow, and then landed in Italy at the Unipol Arena in Bologna and at the Pala Alpitur in Turin on 25 and 26 July – for the record, the two dates are already sold-out.
The cover of Harry’s House
The 13 tracks that make up Harry’s House, the cover of which sees Harry Styles balancing on an upside-down house, with the ceiling instead of the floor, were recorded in different locations, including the UK, Los Angeles and Tokyo, from 2020 to 2021. A long and tiring job that has seen Styles engaged together with his longtime collaborators Kid Harpoon, Tyler Johnson and Mitch Rowland for one of his most anticipated albums which, we are sure, will not struggle to enter the hearts of his precious, anxious audience. to see him soon in the cinema in the film My Policeman by Michael Grandage with Emma Corrin, based on the novel by Bethan Roberts published in Italy by Frassinelli.
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Source: Vanity Fair

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