Success has numbers that back it up. Facts. Still, the set of reasons he vouched for Moonlight access to international fame does not have to do only with pure mathematical data. The Roman band, the first in the last thirty years to see the doors of the English charts wide open, has been able to embody a new artist prototype. Something that holds humility and innovation together, forgetting the mannerist excesses of the rock star.
The Måneskins, whom France has tried to label as “addicts”, have shown how honesty – intellectual and human – can still be.
They waited patiently for merit to be the only means to success. And, on and off the stage, they wanted nothing more than their own music: a show idea that was not necessarily innovative, but, of course, clean. The Måneskin rejected shortcuts, social media, the ability to pump their ego and following through activities unrelated to their artistic path. And, without proclamations or bragging rights, they have gone where no one else, to date, has managed to go.
The group led by Damiano David, fresh from the double victory of Sanremo and Eurovision, managed to put another single of his in the English charts, I wanna be your slave. The song, already gold in Italy, has reached the week position of the most listened to singles across the Channel. This thing has no precedent in our country. The band, for which it is said Simon Cowell in person, the genius behind the One Direction phenomenon, has expressed a certain interest, is the first in Italy to have so much power. And even the BBC has had to surrender to the evidence, certifying the success of a quartet that has managed to overturn every stereotype of (musical) genre, selling its being good guys for what it is: a medal for valor, even more rare in the world. world today.
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