They have asked so many times Alessandro Cattelan if he dreamed of hosting Sanremo, if we were him, we would probably have developed hives at the very word “kermesse”. After his farewell to Sky and his arrival at Rai, it goes without saying that the questions about the Festival have become more insistent, leading Cattelan to seriously evaluate the rapprochement proposal proposed to him by Carlo Contiwho thought before entrusting him with the management of Sanremo Youth and then the co-hosting of the final evening at the Ariston. Leaving aside the fact that Alessandro Cattelan may have accepted the double role just to no longer hear those questions from journalists, we must add a detail of no small importance: in Sanremo Cattelan would be perfect because he holds within himself the two perfect qualities to take on that role. Institutionality and competence.
Even though he has fun with the gags and monologues In fact, Alessandro Cattelan boasts a much more institutional background and in line with the management style of colleagues such as Conti and Amadeus than it might seem. Thanks to the 10 years spent leading X Factora very rigid live format that allowed Cattelan to deal with the very tight deadlines of a program that cannot afford to close after a certain time, but also a check which has always led Alessandro to never lose sight of the main road, ensured both by his long experience and by an innate charisma which was already his at the time of TRL, the show that allowed him not only to meet the greats of international music but also to develop his own language.
We had proof of that expertise in the first episode of Sanremo Youth aired on Rai2 in the late evening on 12 November, with Alessandro Cattelan proving once again that he is an excellent ferryman as well as the perfect sidekick for young singers to turn to. Despite the fact that during the press conference he put forward the possibility of conducting the Festival alone, we believe that he would do well, especially with the right shoulders together with which to give life to irresistible skits like those with Geppi Cucciari at the time of EPCC and of A simple question, a format (this time on Netflix) that would be very nice to see again with a new cycle of episodes.
Source: Vanity Fair
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