Polyphony, from the Greek “Many voices”. Human or instrumental, makes no difference. Just convinced, harmoniouslywithin a whole, which is superior to their mere sum: One more one three. In musical writing, of course, but also in a broad sense. An authentic intertwiningto give each other value, type multiplier. Like an inlet, which chanters the winds and conveys them in a single direction, towards a common goal. So the Polyphonic He has hoisted his sails and, also this year, dragged his dancing crew on a multisensory journey that merges together, in fact, sounds, landscapes and communities. The overwhelming Apulian festival, now in its seventh edition, is in fact linked by double wire with its territory, The Itria Valleyso much so that the typical vibe, which is A little bowler hat, a little trulli, a little olive trees. And also a little sea, over there on the background.
“It is a 360 degree experience. Of food, music, and much more », tells us Marco Sala, CEO and Co-Founder of Polyfonic, which this year has exceeded the threshold of 35 thousand present in total. A large collective dance in the suggestive spaces of the Masseria Capece: Over forty artists distributed on four internships – the main, magma, Sunrise and The Cave – each with their own peculiarities. “But it is the energy of the people who make the difference. Compared to other festivals, where it is all a little more set, here you have fun », adds Sala, accompanying us in the backstage of the main stage, where the crowd is waiting for the live of Venerus. «The great diversity, compared to concerts, is that here you breathe a village type atmospherea dimension that self -proves, with its own rules “, explains the Milanese artist. “Something magical, that is born and grows in a placethen disappears ».
«My first memories of Festival? At 19 I did the volunteer to Great Escape Of Brighton: I slept on a floor, it was absurd. A few months later I was onWight islandin England, to a historical festival, with fans of Pearl Jam: I had to mount the curtain, but without realizing it I had two different ones so I made a mess with the pieces and the flood came down ». Then the passage, from the public to the stage. «The beauty is that in front you have people who maybe don’t know your songs, My mission is always conquering and dragging them». In Puglia, he has succeeded several times: «We have a particular bond. Once, while I came here by motorbike, a melody entered my head. I stopped at the Autogrill, I wrote the text and was born You are water». A joke about the culture of Clubbing? “It has been transformed through the festivals”: a shared opinion with Samuel.
«We have come to a point where the large clubs close, huge cemeteries in urban suburbsbut at the same time many small realities are born that turn around the construction of the experience», Reminds us of the frontman of the Subsonica, who presented the new solo project, Tide. “On the other hand, people, in all cultures, have always needed to meet, dance, to stay close to each other and move. A need that will never pass»Concludes the Turin artist before going on stage. «Electronic music is a consolidated language and the need to Having that alphabet as certainty». The centrality of the rhythm, which transforms the people of Polyphonic into a sort of tide, in fact, who get up and falls down, floods and portrays himself, Waiting for the sunrise. “The first time I was here, I played to the lights of dawn,” he tells us Adiel.
«It is true, the decline of the discos I think is due to a change in the tastes and habits of young people, The search for more intimate and genuine experiences It could be the decisive factor. In addition, social networks push towards places that offer more experienced experiences captivating and memorable», Adds the Roman DJ and producer. “My first festival? The Labyrinthin the mountains in Japan. I remember the feeling of freedom and the authentic connection with the people around me, which I did not know ». Immersion and connection They are the two keywords, in this historical period more than ever. «I think that electronics, in a moment of tensions, can and should send a message. It is a vehicle to promote inclusiveness, solidarity and transformationcreating safe spaces for everyone, where music becomes a powerful tool of expression and a means for join people».
“And we want to go in this direction,” concludes Sala. “We had left with the dream of Create an international brand With certain values, which served by Melting Pot for the international public. Now, for the future, We aim to grow againpositioning us on Milan Music Week with a more citizen cut. Then who knows, maybe inserting a new stage with more slow sounds, or an area decentralized camping/glamping. The most important thing, for us, is to create interconnections». Because even on a human level, if the environment facilitates the exchange, One more one can give sum three.
Source: Vanity Fair
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