Taylor Swift, Billie Eilish. To win, for the most noble categories of the Grammys, the best album (Folklore) and best single (Everything I wanted), were the young singers. Yet, on Sunday, during a hybrid ceremony, halfway between normality and Coronavirus, there was no light on Taylor Swift and Billie Eilish. Because, to make history, it was Beyoncé.
Queen B., awarded for the best music video with Brown Skin Girl, for best rap performance and best rap song, the Savage sung with Megan Thee Stallion, then for best r’n’b performance with Black Parade, has entered by right in the history of the Grammys, the most awarded female artist ever.
The statuettes that were assigned to her on Sunday evening, when her daughter, the little one, too Blue Ivy Carter, was awarded for Brown Skin Girl, brought Beyoncé to twenty-eight total prizes, allowing her to surpass violinist Alison Krauss.
Krauss, before the last edition of the Grammys was consumed, held an absolute record for a female artist. Twenty-seven total awards, one less than Beyoncé took home Sunday, writing the history of awards and music. A music that, during the sixty-third edition of the Grammys, also led to win Megan Thee Stallion, best emerging artist, Harry Styles, best solo performance, and HER, whose I can’t breathe was chosen as the song of the year.
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