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«Big Brother Vip 5»: Dayane Mello’s exploit and the date of the real final

Although until a few hours earlier a large group of users had gathered on social media to ask for their expulsion, Dayane Mello not only stays in the House, but she is also elected as the first finalist of the Big Brother Vip longest in history. The groups and public hashtags, those that have repeatedly asked the production to take action against Dayane for teasing Rosalinda Cannavò about the extra pounds she risked eating eggs and bacon late at night and for accusing Tommaso Zorzi of “Have mental problems”, therefore, did not have the desired effect. To the detriment of expectations, Dayane, in fact, wins televoting against Rosalinda, Stefania Orlando and Giulia Salemi with a plebiscite percentage of the 45.5%.

Someone spoke of the interference of votes from abroad which, as Alfonso Signorini has repeatedly specified, are forbidden when it comes to televoting and more difficult to control when expressing preference through the app and the site, while someone else has spoke of a clear strategy of the authors who need the “uncomfortable” characters to remain inside the House as long as possible. In the specific case of this edition, then, it is really necessary to keep all forces active until the last day, since, during the live broadcast of the thirty-fourth episode, Signorini has finally dispelled any doubts about the final: the winner will not, in fact, be declared on February 26th as was initially assumed, but on Monday March 1st, immediately passing the baton at the Sanremo Festival at the start the next day.
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The reaction of the «Vippos» is dismayed and displaced, especially Tommaso Zorzi who, in front of the news, gives a look so perplexed as to leave no room for imagination. Despite the “historicity” of the event repeatedly stressed by Signorini – the longest ever reality show, theIsola lasts 10 weeks and we’ll get to 50 – the truth is, most likely, of this Big Brother Vip we will remember little and nothing if not the tender friendship between Stefania and Tommaso, the sympathetic glances between Francesco Oppini and Tommaso, and, in short, Tommaso. The rest, from Gabriel Garko’s coming out at Ares Gate practically nipped in the bud to prevent any seed from sprouting, seems only a distant memory, which belonged to who knows what edition. To remind us, perhaps, will be the Internet, guardian of all past and non-cancellable events, but, for the moment, it seems that the triumphalisms, beyond the excellent performance of ratings in such an extended time, they leave some time they find.

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