Everyone at the fair in Bologna this weekend: it’s worth it because Fiera art It presents himself interesting, carrying his age well (he is 51 years old, The longest -lived of art fairs in Italy). The beauty of art Fiera is its “accessibility”, and not only because i pavilions 25 And 26 Where it is hosted they are wide and full of light, but because it proposes to the public, also that of non -experts, forms of art of immediate understanding, we could say pop. A fair made in Italy, almost all 176 Galleries present are Italian, and enjoyable: Simone Menegoi who directed it for seven years, and this is the edition of the farewell, had the merit of keeping everything together, and it was not easy.
From today and until Sunday The fair opens to the public and can be a good idea to spend a different weekend: comfortably reachable from the station (also with the Bus 35calculated 15 minutes), Arte Fiera is divided into two distinct pavilions: enter the 26th if you are more interested To the art of the twentieth century And to the modern, throw yourself in the 25 if they intrigue you more contemporary creatives. The guide with the map at the entrance is essential to better orient themselves among the various sections of the fair: next to the Main Secationthis year there is also a part dedicated to Photograph (very beautiful: after we deepen), one on Multiplesthat is, on the works in series, one on contemporary painting and one – the novelty of 2025 – called Prospect. You will find it following the light green color: edited by Michele d’Aurizio, it is dedicated to intercepting the emerging artiststhey are represented by young or established galleries, who create works with waste material (there are eight galleries, in restricted spaces, with in single project: all very interesting, you can find them from the Booth B77 to the B93). Another good idea of ​​the fair, which invites visitors to a treasure hunt with the map in hand, is the theme of the route, this year dedicated to the idea of ​​”community”: here the color to follow is the violathe galleries involved are many, with works that reason about the sense of common living, presenting works that we can also define as “political”, certainly attentive to the great topical issues.
A path
If you like the great classics of the twentieth century just entered the 26 pavilion, find Richard Saltoun and then the Tonelli Gallery (with works like this, colorful, of Piero Dorazio) And then again, large and elegant to look like a living room, the booth of Tornabuoni (with a Savinium disturbing and hypnotic). Then there are the pop designs with the acid colors of Valerio Adami not to be missed in Gariboldi Studio. Not far away, from Michela Rizzoalso the works of Andrea Mastrovitowith a nice installation dedicated to the theme of education that reconstructs a school classroom and reflects on the theme of the educational emergency.
And the galleries not to be missed
We still remain in pavilion 26: Repetto Gallery With Bruno Munari, Giulio Paolini and Michelangelo Pistoletto is really a nice see. Not far away, to take the scene and the compliments of the many visiting collectors, also the historic Torinese gallery Mazzoleni who created a booth that brings together his double soul: there are the works of the great masters of the twentieth century, such as Emilio widow, Carla Accardi, Giorgio De Chiricoand then the artists of today that the gallery helped to launch. Above all, Marinella Senatorfamous for its lights and works on paper. Next to them, also the works of Melissa McGill e David Reimondowhich presents the large work for the first time Chromottere.
Dense by Soprese Pavilion 25, a journey into the world of contemporary that begins in the best way with a galleries infilate with Italian and international authors of the highest level. Lia Rummadecane of the sector, Continua Gallery (where a black candlestick of Ai Wei Wei), Tucci Russo, with a blue sculpture d Tony Cragg, Francesca and Massimo Minini with the works of Enzo Mari dedicated to Scythe and hammer And then again Heading And Studio trisorio They are indispensable stages. The booth of Raffaella Corteseperhaps the best successful of the fair, thanks to the neon installation of Marcello Maloberti “Superpensero” to which works by Francesco Arena, Monica Bonvicini, Barbara Bloom, Silvia Bȃchlthe.
Photography
We close the tour with the photograph: Arte Fiera reserves the whole final part of the pavilion 25. You recognize the specialized galleries in author’s photos because they are indicated with the dark green color: among these, Umberto Benappi It deserves a stop for the original set -up of the shots of the photojournalists of Paolo Pellegrin, Valeria Bella for the interesting selection of the works as well as Peace. Among the goodies, we point out the Turin area A Pick Gallery who presents the work of the Argerist Leila Erdmanwho lives between Russia and Israel, and testifies with his camera the inconvenience of his generation and the desire to overcome the brutality of the war.
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Source: Vanity Fair
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