Cesare Cremonini was born to be on stage. And the first date of his tour in San Siro confirms it

Whoever thought that the storm would ruin the great return of Cesare Cremonini At San Siro he hurt his accounts since, apart from a few drops that fell half an hour before the start of the concert and promptly dried by the insiders with brooms and Ramazze, the only thunder that the spectators heard were those who appeared on the gigantic Ledwall behind Caesar when he sang Now that I don’t have you anymore. That Cesare Cremonini is a stage animal had been clear for some time, But seeing him bewitched the stadium with his voice, his power and his energy is always a joy. “I have never been in physically and psychologically the way in this moment,” he told journalists two days before the first Milanese date of Cremonini Live25, One of the concerts in the most well -kept and mastodontic stadiums that have been seen in Italy because if there is someone who still wants to amaze and get involved that is Cesare. «This tour was born from an album symbol of a very important personal transformation: I wanted this show to enclose the human and artistic path that I faced on the disc », Cremonini said, who in Two and a half hours – It is his longest tour, “not by greed or bulimia but because he is a story” – he enchanted the 57 thousand spectators of San Siro bringing them to his very personal journey of emotions and suggestions.

If Cesare, just before Alaska Baby took shape in his head and in his music, he had lost – “It is a record that comes from a human and personal crisis who led me to turn the page and question me to get in touch with my emotions beyond the ego ” – on this tour he found himself. Through deserts, inner cities and Alaska glaciers, Cesare Cremonini gave birth to a show of great balance and elegancesupported by a gigantic immersive and spectacular Ledwall, by a live band that has been behind him until the end, but also by special effects and pyrotechnic challenges that have given everyone proves that Caesar is not an artist who lies on his laurels while being able to allow him. After training in the Dolomites following a diet based on three simple rules (no sugar, no social, no alcohol), Cesare Cremonini was anxious to resume biting the stage or, as he said to the public, to embrace him, and so he did. Starting from Alaska Baby and going forward among the strong points of his repertoire – the microphone auction raised as if it were of rubber -fested to allow the public to sing at the top of his lung with him The new Broadway star; the passage in the middle of the public of the lawn on the notes of Lost in the Weekend With everyone who tried to touch him, as if they wanted a piece of him to take home or even just a sequin of his jacket -, the most exciting moments of the first Milanese date were three: the ice piano while singing Acrobatone of the most incredible songs of Alaska Baby; The duet with Elisa while a northern light recreated with very powerful lasers, he hovered above the audience in the lawn, and The embrace strong and felt with a very excited Luca Carboni After singing San Luca.

SERIZIONE INFUSE – Corbis/Getty Images

“I missed you,” Cesare Cremonini shouted several times while the security officers disarmed some girls from smoke bombs burning stealthily on the parterre, and while everyone – but everyone – jumped and lost his voice with classics like Come and see why, World And Son of a king sung while Caesar crowned a accordion who managed to tame how if it were an expert circus (who does not say that he does not get involved, because an Italian singer who takes accordion lessons bringing it to a stadium had never seen each other). “I love this tour because it’s difficult and because it engages me,” Cesare explained that, during his show, he has, in a scattered order: dedicated Fragile girls to all the people who still feel defenseless; paraded the shirt by remaining bare on the notes of Grey Goose; danced as if it had been bite by a tarantula with Logic #1 in the coffers, and the beginning of 50 special When he realized that there was a boy who had passed out near the stage. “We are waiting for a second that the boy recover,” said Cremonini while the audience exploded in a thunderous applause because that a singer has this kind of precaution and brings out this type of humanity is never taken for granted. Cesare Cremonini, however, is also this: he was born to entertain and returned with Cremonini Live25 To stay.

Ball and Cesare Cremonini.SERIZIONE INFUSE – Corbis/Getty Images

After the dates in the summer, The show will continue in 2026 With four special events – one of which in a natural arena inside the Imola carrome – and even further on. «I know what it means to work nine months to get to a sold out: it took me 12 years of my career to make a full forum, and the next day I cried. From a personal and human point of view I can’t take anything for granted. Maybe I don’t know how to do the most trivial things, but I can build great shows: in 26 years I do this job, the time has not yet come to use my repertoire to create wonderful and festive karaoke. I earned the trust of my audience all this time, building it and feeding it day by day and always trying to say something new. My connection with myself is intimate, intense and painful: my task is to transform it into artistic visions for the public ». And he could not succeed in a better way: he lived Cesare Cremonini and the inner magma that he turns back both in his music and on the stage of his concerts.