In a few years, when we remember Christmas 2020, we will only have a handful of real outfits to remember. The restrictions due to Covid have also affected the entertainment of royal watchers who delight in commenting on every public release of the Windsor dressed up. Orphans of the traditional walk among the crowds in that of Sandringham, outside the medieval church of St. Mary Magdalene, we can console ourselves with a roundup of never-forgotten Christmas looks Princess Diana.
A costume chapter that began as a newlywed in December 1981 and ended prematurely between the autumn and winter of 1996. Fifteen years in which we see the growth of what has become one of the greatest style icons of recent times. Scrolling through the shots of Diana, one could speak of a “training wardrobe” in the Christmas format.
When she debuted as the wife of the future King of England, she was a 20-year-old who had found herself – perhaps a little unprepared – in the spotlight of the world. The princess therefore needed someone to accompany her at the beginning of that far from easy path: the name of the loyal ally who took her by the hand immediately was David Sassoon business partner of Belinda Bellville. There are several items designed by Bellville Sassoon, the sartorial brand that was depopulated in London among the girls of good society, the so-called sloanie, of which the young Spencer was a kind of charismatic leader.
There is no shortage of creations by her favorite designer, Catherine Walker, who really designed the Diana that resides in our imagination, but also a red coat with a military flavor that came out of the London boutique of the 80s Piero de Monzi. The other Italian name that appears in this ideal parade under the tree is that of Franco Moschino: the red and black houndstooth suit worn in Sandringham for Princess Eugenie’s baptism in 1990 before the baptism remains in the annals together with the yellow checkered coat by Escada combined with the hat of Philip Somerville.

Among the recurring accessories in the cold English births of the Princess of Wales is the sleeve. Widely used in the 1900s, it seems to have disappeared from the radar of the new millennium becoming, in terms of style, a fossil. A message for the exponents of generation Z passionate about fashion archeology: that hair was used to warm the hands. While as regards the colors, Diana’s chromatic choices are not necessarily philological: of course, red is very present and it could not be otherwise but the very beaten green, for example, by Kate Middleton in the December outfits, the princess preferred far blue in a wide range of shades.
On December 10, 1992, Diana is pictured between two Santa Clauses in London (they are actually two British politicians) in a pink business suit. Wear a power suit in that circumstance it was certainly not a coincidence: the day before the premier John Major he had announced the separation of the princes of Wales after eleven years of troubled marriage. Diana now marched alone, she no longer had to prove anything to anyone, neither to her husband nor to the Crown. The jacket became a way to take power by carving out a role of his own that was not that of Carlo’s wife but rather that of a character able to make a difference by supporting battles to be faced as a businesswoman at work even at Christmas.
Come to think of it, no one after her had to work so hard even on holidays. The queen has been guessing them all for centuries, Anna he doesn’t care how she looks and how others judge her, ditto Camilla. Of the two daughters-in-law, Kate assembles garments with such surgical precision that it seems to have artificial intelligence as a stylist in which the algorithm is called to rework Diana’s pieces with the spirit of the times while Meghan he ran away to (and not only) submit to the protocol and the suffocating attention of the tabloids.
For us nostalgics, all that remains is to scroll through the images of Diana while those who already have an eye to the future bet on Charlottis. And who knows if the little princess doesn’t have a passion for vintage. One Christmas not too far away we will be able to see the illustrious nephew with an old outfit worn by the princess in those famous fifteen Christmases. The look says a lot, the grandmother’s gene is certainly dominant. And one of those coats would certainly fit her.

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