Doc 3: are we sure that Agnese is (really) the new villain?

The most beautiful thing about Doc – In your hands it's his ability to surprise the viewer with twists that no one could have ever predicted. And so, after the sensational exit of Lorenzo and Alba, two main characters of the series played respectively by Gianmarco Saurino and Silvia Mazzieri, the time has now come to shuffle the cards once again to face a new revelation: the dark side of AgneseAndrea Fanti's ex-wife played brilliantly by Sarah Lazarus. After being Doc's obsession for the first two seasons, ready to do anything to win back her love, incapable as she was of remembering the reasons that had led him to move away from her, the time has come to show another side of the coin, that of an Agnese who perhaps benefits from the fact that Doc does not regain his memory. What is it, though, specifically?

Beyond the affair with Doc's professor that Andrea himself had managed to remember only to be later denied by Agnese herself, it seems that the health director of the Ambrosiano is determined to hinder Fanti's attempts to regain his memory with every possible means. From what we learn from the third episode broadcast on Rai 1 on January 18th, it seems that the reason has to do with something that could lead Doc himself to a breakdown, although we don't know if it has anything to do with the untimely death of his son or with the fate of the hospital which, we learn, Doc governed with the same softness as Miranda Priestly in Devil wears Prada. In addition to bowing to the fact that the screenwriters of the Lux Vide have cleverly reversed the situation once again, playing on Agnese's ambiguous nature to take the place of those bad guys who in the first two seasons of DOC they seemed ready to do anything to destroy Fanti, the credit for this new season goes to explore new characters and to reveal new nuances.

Giacomo Giorgio is Federico LentiniVirginia Bettoja

In addition to the same DOC as Luca Argentero, divided between the stories that describe him as Sergeant Hartman and the good soul of someone who is always ready to listen and smile, to shine up until now are above all Giulia by Matilde Gioli, who slowly seems ready to hope that DOC will recover his memory of their relationship, and Pierpaolo Spollon's Riccardo, which reminds us not only of his lighter side with the interns but also of an emotional depth capable of communicating to an aspiring swimmer that from that moment on he would do without his leg just like him. Also important mention for Federico Lentini by Giacomo Giorgioa new entry that has entered quietly and is slowly emerging in its three-dimensionality, showing a very common trait among many aspiring doctors: the fear of action in the face of (too many) years spent on books. The premises of this DOCin short, they are more than excellent, and that's why we can't wait to find out what the new episodes have in store for us – especially considering the last lover that DOC remembered having, what an incurable butterfly.