Drag Race Italy, here’s what happened in the third episode

The engines are (surri) heated: the third episode of Drag Race Italia, available December 3 on Discovery +, has transformed the pebbles in the shoes of the queen into real boulders. In the episode dedicated to Raffaella Carrà, who on paper promised fireworks, no one (perhaps) predicted the fire that broke out.

In spite of the lively and sparkling premises – and the superparticipation from Los Angeles of Tiziano Ferro, expert in «Carralogia» and number one fan of the RuPaul show – the tones were totally overturned on the finish.

But let’s proceed in order. What worked this time? First of all – twist! – the perfect look with a black helmet by Chiara Francini, judge-teacher and healthy bearer of the Dolce Stil Novo: the polished tones and the high quotes have earned her many memes but she, demonstrating an intriguing cocktail of pairplay and cunning, has always responded with grace on the groups dedicated to the program. Hat!

Priscilla, the Italian variation of the TV mother of all drag, continues to confirm herself as an excellent hostess. The only time in which he ventures a nasty comment and calls the Sardinian “truck driver” Ava Hangar unleashes insults and profanities behind the scenes. The competitor defines herself first as “black in dress and soul” and then adds to the dose, accusing the judges of “lack of study on what queer art is in 2021”. On the insults, on the other hand, it is better to spread a merciful veil.

All the affection and interest aroused by the victory and the declarations of Enorma Jean in the second episode literally go up in smoke not so much for the Spanish bolero on a total look gold, but for the continuous attacks on her companions, then transformed into impatience and insults in the lounge addressed to the whole group of the program, in front of and behind the cameras.

It is quite evident, therefore, that many queens are allergic to criticism and relapses in their attitude: in fact they are convinced that they have arrived and do not seem willing to get involved. He knows something about it Le Riche, who for the second time is involved in the playback of salvation and is not there, threatening to leave first. How boring! He would have made a better impression by taking broken shoes (during lypsinc) and exiting the scene with elegance and consistency. But nothing: piqued for the criticism of the clothes of his Ruveal, he put the muzzle. To be fair it must also be said that the performance on the notes of the Spanish version of Fiesta it was successful. A little less appreciated, however, the idea of ​​saving both competitors for the second time in three episodes in the name of Carrà.