Elodie and her golden year: after Sanremo and the album, the docu-series arrives on Prime Video

If we had to elect the queen of the new year sight unseen, it could only be Elodies who, at a rough guess, will spend the next few months rubbing their hands waiting to face the thousand commitments that will see her as the protagonist. Let’s start, however, in order: after seeing her act in I eat your heart by Pippo Mezzapesa, we will see the singer competing again at the Sanremo Festival with the song Twoafter which he will give us his new album on Friday 10 February Ok. Breathe then landing on Prime Video on the 20th with the first docu-series dedicated to his life and career. Is titled I still feel dizzy, is produced by Groøenlandia in collaboration with Prime Video and will see Elodie tell herself like never before.

In fact, in the docu-series we will see the singer busy showing some of the most important moments of her career, his challenge to find the song for Sanremo 2023 and, above all, his being constantly in the balance between the continuous desire to improve and the fear of never being enough. The three episodes, produced by Matteo Rovere and Leonardo Godano, were directed by Nicola Sorcinelli and will try to show the public a more intimate and secret Elodie who will continue to live her 2023 in a big way by celebrating another important milestone: his first show at the Mediolanum Forum the May 12thproduced by Vivo Concerti.

In short, if it was not clear, 2023 for Elodie risks turning into a golden year, made wonderful by the many projects that will see her busy and, above all, by the warmth and affection of an audience that has grown year after year more and more recognizing her talent and her charm. At this point, all that remains is for Elodie to navigate following her polar star: the ocean is boundless and the rudder is entirely in her hands.

Other Vanity Fair stories you may be interested in:

Elodie: “It’s time to leave your mark”

I eat your heart: Elodie, divided by an impossible passion

Elodie, no more alibis

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Source: Vanity Fair

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