Emily in Paris 4: The First Trailer, Between Love and Twists

Fans of Emily in Paris can breathe a sigh of relief as, along with the first images and the two release dates – the fourth season of the series, as well as the third of Bridgertonwill in fact be distributed on Netflix in two tranches: the first 5 episodes on August 15th and the remaining 5 on September 12th – now we also have the first trailer. A trailer that shows us Emily once again struggling with her emotional woes: on one side there is Gabriel, fresh from the failed marriage with Camille even if he is now expecting a child from her; and on the other there is Alfie, who seems, at the moment, incapable of trusting her anymore. In the middle, however, there is also the agency which is also the beating heart of Emily in Paris, with Sylvie forced to confront a thorny dilemma from her past for the sake of her marriage, not to mention the Agence Grateau team facing personnel changes.

As Mindy and the band prepare for theEurovision – at least until the funds run out and they are forced to save -, it will once again be love that will torment Emily. Along with the usual killer outfit and to the shots of an increasingly picture-postcard Paris, from the trailer of Emily in Paris 4 It is clear that, this time too, feelings and secrets will be the masters. Emily is once again played by Lily Collins which, especially in the second part of the series, will land in Italy, more precisely in Rome; escorted by Philippine Leroy-Beaulieu (Sylvie Grateau), Ashley Park (Mindy Chen), Lucas Bravo (Gabriel), Camille Razat (Camille), Samuel Arnold (Julien), Bruno Gouery (Luc), William Abadie (Antoine Lambert) and Lucien Laviscount (Alfie). The deus ex machina of the series continues to be the father of Sex and the City Darren Star which, between interest and controversy, still managed to create a title capable of attracting attention for better or for worse.

Along with the usual controversy over stereotypes of Americans towards the French and, more generally, towards Europeans – let’s not forget also Eat, pray, love by Ryan Murphy, when Julia Roberts’ character was in an apartment in the center of Rome without being able to use the toilet because she had to get water from the well -, Emily in Paris he had the merit of being able to entertain a transversal audience that does not need to feel busy to enjoy an evening in company. And that, in a time when we take ourselves far too seriously, is a small miracle.