The pandemic hasn’t stopped the show. Rather. Although behind closed doors, the Haute Couture SS 2021 went on stage, indeed on the catwalk, giving stellar shows.
Starting from Fendi, than for the debut of Kim Jones at the creative helm of the womenswear of the Roman house, he has chosen to entrust the story of the love story between Virginia Woolf and the poet Vita Sackville-West, condensed in the letters that compose Orlando, the literary work of the English writer herself, to a cast of women icons of fashion and cinema.
First of all Demi Moore, 58, who opened the dance by treading the labyrinthine path recreated between the spaces of the Paris Stock Exchange with a confident and resolute approach. Legendary tops of the catwalks including Kate Moss, Christy Turlington e Naomi Campbell, who closed the fashion show wrapped in her long cape.
In a desired transgenerational encounter, to take a voice in the narration of this bold and intimate aesthetic, there was no lack of faces of the moment, read, among others, Lila Grace Moss, led by the (now) veterans of the catwalks Bella Hadid, Cara Delevingne and Delfina Delettrez Fendi, in the role of model and jewelry designer.
If at Fendi, the stars took to the catwalk, at Chanel, the “family” of the maison gathered around the platform, in those forcedly empty front rows, but which did not diminish that sense of spectacle and the essence of aesthetics that a haute couture show brings with it.
“I love big family reunions, when generations come together. It’s so beautiful. There is this spirit from Chanel today. Because Chanel is like a family too, “he says Virginie Viard, creative director of the house on Rue Cambon, while welcoming the ranks of Chanel stars and ambassadors. From Vanessa Paradis with her daughter Lily Rose Depp, passing through Penelope Cruz, Marion Cotillard, Joana Preiss, Izïa Higelin and Alma Jodorowsky.
An intimate meeting, welcomed in the large halls of the Grand Palais of Paris, where the splendor of the past, today, gives way to more essential frames so that the “remote” gazes of the spectators do not miss even a page of the new creative story.
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