Building on the success of SanPa – Lights and darkness of San Patrignano, the first Italian original docuseries distributed by Netflix under the direction of Cosima Spender, the production company 42 founded by Gianluca Neri looks ahead and sets up various projects related to crime news and journalistic inquiries supported by the wise use of witnesses and archive material (a small curiosity, in Sanpa 26% of the material used came from the Rai Teche). In an interview withAnsa, it is Neri himself who anticipates some of the themes in development for the near future, including the case that he intended to transpose to the screen well before the intuition to focus on Vincenzo Muccioli and San Patrignano: lmurder of Yara Gambirasio.
Along the lines of Making a murderer, in fact, Neri thought, even before SanPa, to immediately propose to Netflix a project linked to the 13-year-old killed in the province of Bergamo 11 years ago: an idea that immediately piqued the interest of the platform, but which was, however, put aside because a documentary just produced by the BBC it had too many similarities with the Yara case and it was necessary to diversify the offer. Along with this project that has already been hot for some time, however, the 42 also focuses on other realities such as One White, a series dedicated to the crimes of the gang led by the Savi brothers between 1987 and 1994, and, above all, a docuseries proposed by Selvaggia Lucarelli entitled Kids don’t lie, dedicated to the reconstruction of the cases at the childhood center between Rignano Flaminio and Bibbiano, another way for Neri to tell without filters a reality exploited by the media as happened with San Patrignano.
Always atAnsa, the producer explains that he has not yet entered into any agreement with Netflix, Sky or other platforms, but that he has other hits in the barrel, such as the transposition into docuseries of the story of Gianni Franciosi, the infiltrator among the narcos (there has already been a miniseries with Giuseppe Fiorello), created by Matteo Caccia, author of a podcast on the subject, The Full, and a film debut with great fanfare: 42 has, in fact, acquired the rights to the Vittorio De Sica memoir, The gates of heaven (published by Avagliano), for a co-production with the United States that could also see the involvement of Christian De Sica, who has always cultivated the dream of telling the story of his father and of those first tiring years of the first half of the twentieth century.
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