“On Thanksgiving, join the family.” The poster, the first complete with House of Gucci, was accompanied on Instagram by a simple invitation: to return to the cinema to (re) discover the story of one of the most important dynasties of Italian fashion. In the poster, released together with a first release date of the film – Thanksgiving, the end of November and the beginning of the Christmas period -, Lady Gaga has the black veil of the widow lowered over her eyes. She looks straight ahead, surrounded by the man she loved and those she used to kill him.
Adam Driver, who in the film directed by Ridley Scott is Maurizio Gucci, stands next to her. Serious, composed. Close, ha Jeremy Irons, while at the opposite end of the billboard they stand out Jared Leto, unrecognizable in the role of Paolo Gucci, e Al Pacino.
“A legacy worth killing for”, we read under the erect busts of the protagonists, creators of a story that has never before been brought to the cinema. Ridley Scott, who for twenty years has caressed the idea of transposing the story of Patrizia Reggiani into images, is the only director to have decided not to use the documentary form to retrace what happened in 1995. In the year in which Maurizio’s wife Gucci, abandoned for a younger woman, commissioned the murder.
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