Joan Thiele and the return of uniebow or monosopracciglio

Sophisticated music of Joan Thielewhich over the years has kept it a bit far from the mainstream logic, is destined not to go unnoticed in this edition of the Sanremo Festivalbut its original as well as hypnotic aesthetics is also attracted to the public.

Distinctive feature of the face of the singer -songwriterat the first vote at Ariston, is the monociglio Just mentioned, a detail that makes its image far from trivial and that could mark the return of this style in a contemporary key. Natural but sophisticated at the same time.

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In the Beauty universe a few trends are likely like those that invest the eyebrows. Once upon a time he pushed them all to make them become the most thin possible, then it was the turn of the Seagull wings. And how to forget the decolving furious, followed by soap browswith the largest possible hair and from the disheveled one. A swing of options among which every now and then tries to enter theUNIBROWThe monocilio in fact, which owes the fame mainly to Frida kahlowho also made his body a means through which to create and transmit art.

There painterin fact, who loved make-up and devoted a lot of time to self-care, never approved the standard beauty canons but has always proudly claimed his eyebrows so thick that he joined the center, also revealing of his Mexican origins .

Always present on the face of Frida and in the numerous self -portraits she made, she liked the point of intensifying the color with one REVLON EBAN -colored pencil and encourage growth with a product of the Talika brand.

From the exhibition “Frida Kahlo: Making Herself Up”. Frida Kahlo with blue blouse, 1939. Photograph Nickolas Muray © Nickolas Muray. Photo Archives

Impossible not to think about her looking at the face of Joan Thielewhich even in the Latin traits due to the Colombian father vaguely recalls the painter.

The Italian singer -songwriter, however, decided to reinvent in a more contemporary key the Trend of UNIBROWnot distorting the nature of its eyebrows, which come to touch the center, but trying to slightly governing its shape, so that they frame the eye without weighing it down.

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A choice of style and personality that others before her embraced, each with their own approach.

If for some monoclies and very thick eyelashes they have represented teenagers of embarrassment and stigmaas Giulia Salemi and Miriam Leone have told in various interviews, there are those who founded a career instead: the American model of Greek origin Sophia Hadjipanteliwhich has become a note precisely for its very large and very black monociglio who has always refused to reduce and in the name of which he has hired a very specific ideological battle.

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“When I started navigating online, I did not find almost anyone who had the same idea of ​​beauty,” said the model, who from that consideration found the inspiration to found the#unibroWMOVIMENTa movement that carries forward a different idea of ​​beauty And he wants to make himself the spokesman for all those who feel discriminated against because their image does not comply with the aesthetic fees imposed by society.

His image is a Hymn to freedom To be what you want and to express, even with a physical characteristic that comes out of today’s stereotyped canons, one’s uniqueness.

Joan Thiele.
Joan Thiele. (Photo by Daniele Venturelli/Daniele Venturelli/Getty Images)Daniele Venturelli/Getty Images

The same that emanates Joan Thiele, very close friend of Elodie with which he shares the battles for thefemale emancipation And the attitude to show himself as he wants, without compromising.

Joan Thiele and the return of theunibrow or monosopracciglio
Daniele Venturelli/Getty Images

In her the eyebrowsless thick and more arched than those of the Greek model, they create a light heart shapebringing attention to the center of a face reminiscent of that of goddesses and timeless mythological figures, beautiful and ethereal, as is his music which, we are certain, will be the protagonist on the Ariston stage and beyond.


Source: Vanity Fair

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