«This morning I had to take a tour of the city, one of the most inexplicable places in the world. But I am here, to answer your questions so complex so early, that I love. Look where we are, it’s a dream ». To bring Julia Roberts for the first time at Lido And Luca Guadagnino’s film, After the Huntout of competition a This 82nd edition of the Venice Film Festival. Abandoned the sweater with the director’s faces, with which he arrived the other day, in favor of a dark jacketshe is the heart of the press conference. He even tells colleagues when to open water cans and everyone performs.
Battles aside, the sense of this moment is, by Julia, the director and the others Cast members present – Andrew Garfield, Ayo Edibiri, Michael Stuhlbarg and Chloë Sevigny, in addition to the screenwriter Nora Garrett – reiterate that with After the Hunt There is no desire to create a manifesto, but to give life to discussions.
The film, moreover, divides. Some of us journalists defined him politically incorrect, provocative.
It is the story of Alma, Roberts precisely, esteemed university professor of the Yale philosophy department that is found At the center of an accusation of sexual aggression made by one of his students Maggie (Edibiri) and involving his friend and colleague Hank (Garfield). Don’t expect the first to support the secondIndeed, it is exactly the opposite. And this forces the spectators to infinite discussions, supporting the desire for earnings and co .. «We are not making statements: we are representing people right nowas if the camera had fallen from the sky, “Julia Roberts reiterates. «For me it is an incredible story. I remember the first time I saw Tender Mercies (Tender thankseditor’s note) and I thought there was something magical in the idea that a camera would place himself in a place and documented what was happening. And this is exactly what I think of After the Hunt». And he adds: «Not to be controversial, however I don’t think the film is necessarily connected to the theme of women’s battles, or women who do not support each other. There is much more that it is brought up. It is nice that he generated a debate and that’s how we wanted everyone to feel, listening to different points of view. Everyone can understand what his beliefs are and what to believe in. We are losing the art of conversation, so if this film does something, it will be to put people in the condition of speaking to each other. We want to challenge the public: we want to get passionate, that compares, that it will also get angry ».
The issues are current and necessary: consent, gender privilege, personal responsibility, power. “The script touched me deeply,” says Guadagnino, who is keen to speak in English. «For example: what do we want when we seek power? We fight to have it and to remove it from others. The thing, however, that I love most of all is that in After the Hunt We look at people through their truth, there is no more important one ».
Ayo Edibiri focuses on the complexity of the characters: «I think it is enormous in each of them. Testing this way is the work of my dreams! As a human being and as an artist, my idealistic vision is based on being responsible for each other. And this is precisely what attracted me to Maggie: she does not necessarily have that sense of responsibility ».
Source: Vanity Fair
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