Lupine, alias Assane Diop, returns to Netflix. The series produced by Gaumont and created by George Kay starring the French thief, which is freely inspired by the more famous Arsenio, to whom it owes its name and approach to crime, will be available starting from 5 October on the streaming platform. He doesn’t seem to have changed much, at least in his life criteria, he changes in his objectives, in what forces him to be a thief, having given relief to his thirst for revenge in past seasons. Assane finds himself having to deal with his family situation, forced to stay away from his wife and son, given his status as a fugitive, Assane is looking for a literal escape route that can start his life all over again. family. He decides to return to Paris by proposing to Claire, his wife, to run away from France to start a new life. A proposal that is not accepted, almost not even taken seriously, so Assane decides to commit himself by doing what he does best: stealing. The planned heist has all the hallmarks of being defined as impossible, the object of the theft is the Black Pearla jewel kept with maximum security.
The series is also confirmed in the third season, not upsetting the habits of its audience too much, maintaining the same stylistic code and being able to count on a Omar Sy even more master of his character. Paris it remains the perfect setting, managing to be mysterious and dark, suitable for supporting the rhythmic sequences of the robberies. It is the metrics of the first episodes that are striking, to the point of managing to distract the viewer from details that make some passages banal and easily predictable. In fact, the series is enjoyable only once you have put your heart at rest on the evident simplification of some details, essential to make the events more enjoyable. However, there is no shortage of twists and turns, with the desire to see the next episode always present at the end credits, a factor that more than anything gives the measure of what is Lupine.
Source: Vanity Fair
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