On the front make-upautumn-winter 2025/26 is a hymn to multiple voices in the past eras. Whether it is the pop liveliness of the eighties or the feline seduction of vinyl cat-heye that evoke the sixties, it does not matter.
Everything is aimed at telling a season that refers to the past as a source of inspirationbut revisited in a contemporary key in some respects scratchy, pungent, and traits incisive. A bit like the blush, which returns protagonist, but in an even more decisive and generous key, or the lips that rediscover all the seduction and attractive charge of seasonal tones: the sophisticated burgundy, fire red, but also the extra dark. The embodied, for their part, shy once again stratifications, keeping the risk of cakey faceby anegoning to a lightness effect that highlights the natural brightness of the skin.
Here is what to expect from next autumn-winter in seven trends:
1 nostalgia
It is now clear. THE more bright and vibrant colors They are no longer the prerogative of the summer, notoriously the season par excellence of the chromatic explosion. For some time, in fact, the catwalks have decreed i Pop tones As a undisputed key to revive the looks also in the cold winter. Just as confirmed by the one at the gates, where the eyelids say they are ready to dress Cerulean, green, yellow and pink shades who immediately make eighty nostalgia.
The Celeste, once again, confirms the king of eyeshadows. Christian Cowan He applies it in his sky version that would like to Cindy Lauper, alternating with a green grass that becomes nuance to keep an eye on and barbie -style pink tones. Also Tom Ford rediscovered his joyful vein on the make-up front, with pop colored peaks, one above all yellow, followed by Sandy Liangwhich dares with orange brushstrokes and pink e Louis Vuitton which hints green touches, but also multicolor. All that remains is to bring out the color palette and start having fun.
2. Lips? Vampy, Sexy and Bold
If the eyelids come on with pop tones (and not only), the lips play with the symbolic shades of the seasona chromatic palette, which from Sparkling fuchsia reaches the deepest Burgundy passing through flaming reds. It is a statement of power and seduction, of resolve and sensuality that knows no times. From the morning to the evening, every moment of the day is the good one to show off those that Tom Ford He described as “Deep, Kissable Red Lips”, and who no longer need to wait for the sunset time to be dressed in the most intense and vibrant lipstick of their collection.
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You see Lacostewhich combines its very gritty barbie pink lips with its outfit sporty outfits that wants to replicate immediately, or Stella McCartney Which focuses everything on a fiery red with a creamy finish that immediately becomes a declaration of intent: the great classics do not know season. And then again Versace, who bursts with his Vampy Lips Mirror effect marc color e Moschinowith Roksandawhich raise Bold’s concept to the nth degree by proposing dark lips in vinyl version. Pure extremism.
4. Between Boyfriend Blush and Victorian Rednessthe lipstick also goes on the cheeks
Between embodied and almost naked embodied, they stand out on the brush strokes of blush or, perhaps, it would be better to say, taps with touches of lipstick. The Lipstick, in fact, is also blushused to give even more turgor and relief to the cheeks, resulting in well -accentuated spots of color, even more incisive, in fact decreasing similar Boyfriendthe trend from the royal attitude that would remember the naturally red cheeks of the brothers William and Harry when they were kids, or, for the most nostalgic, in Victorian evocations.
The make -up artist Janeen Witherspoon Cove, for the parade of Bora Aksuhe made himself back to the trend royal, drawing on the cheeks typical spots of color, almost triangular, mixing the True Velvet Lip Color by Lisa Eldridge in the Nuance Velvet Pompadour, Velvet Jazz and Velvet Ribbon. From Valentino, Instead, the Makeup Artist Yadim has emphasized the theatricality of the looks, Fil Rouge of the fashion show, recreating cold rose clouds on the upper part of the cheek and temple. How? The intense color from Bullet was diluted by applying the lipstick Matte with a buttery texture Spike Valentino in the shade 302r Pink is punk. Same audacity also from Frederick Andersonwhich emphasized its goth style with intense brush strokes of blushes by extending above the temples.
5. Feline strokes of sixties diva
It will be a scratchy winter, bold and nostalgic On the Make-up Eyes front. The sixties return to dictate the trend, dusting off the feline and impacting looks of the Divers of the time. From Sophia Lorena to Brigitte Bardot passing through Mina and Audrey Hepburn, the Cat-Eye Maxi and Extra Darkready to extend the looks to the nth degree without fear of daring with vinyl loads of eyeliner, it is imposed by declining in its various shapes and shades.
Chanel creates a cat’s look with an almost feathered effect thanks to the help of eye effect eyelashes, while Aniye Records It offers a disco version, covering the ultra dark stretch with stars and light points that make the looks shine. Bibhu Mohapatra Mix two trends in one, thicking the cat-eye with pop touches, while Rick Owens uses graphisms. But not only. The less theatricals will be able to count on more deathd black traits – see Saint Laurent, Miu Miu or again Dior Which proposes a reverse Eyeliner -, but the invitation to dare remains unchanged. There is no doubt: black pencils and eyeliners will be an indispensable allies of the cold season.
6. Lightness effect skin
This is not even the winter that establishes the return of stratifications or excesses from contouring. Once again it is lightness The most suitable term to describe the incarnati, now devoted to one naturalness which translates with meticulous cure of the skin and a feather effect base that keeps the risk of cakey face. The almost obsessive search for Glass Skin Perfect gives way to the most conscious acceptance of a minimal skin, naturally luminousenhanced by satin finishs that elegantly enhance its parmesan, or Glowy effects, provided that without abuse. For lovers of the genre, go ahead also to the old Mat effects, dusted off under the clouds of powder, but to be calibrated with care. The skin, in all its beauty, is the undisputed protagonist.
You see Victoria Beckhamwhich brings uniform embodied to the catwalk, or Carolina Herrera, That makes his sophisticated look shine, declaredly for the day, with slight GLOWY effects. And then Ermanno Scervino, who makes light and impalpable bases his signature, together with Max Mara and his almost porcelain faces, heated only by a veil of blush.
7. Smoky prospects à la louise brooks
Next winter will be discussed (also) through the looks, which if necessary they make nebulosis, smoky, but with an undeniable attractive power. Thanks to the intense shades declined in tones soot, anthracite and still walnut that dress the eyelids for bewitching results, almost languid sometimes, so much so as to evoke the great divas of the cinema of the 1920s. Louise Brooks, Greta Garbo, Theda Bara and their make-up eye become a source of inspiration for contemporary reinterpretations that feature the most caliginous eyeshadows of their make-up sector.
Tory Burch follows the thread of the trend by sprinkling an elegant Gray eyeshadow in full eyelid, while Sergio Hudson Rincrates the dose, opting for a more intense tone, which expands throughout the eye, including the lower rhyme. Giorgio Armani Opt for Smokey graphics in a mixture of refined tones that come from Brown to gray creating feline lines. Just like from Missoni, where shadows reign supreme. Enchanting.
Source: Vanity Fair
I’m Susan Karen, a professional writer and editor at World Stock Market. I specialize in Entertainment news, writing stories that keep readers informed on all the latest developments in the industry. With over five years of experience in creating engaging content and copywriting for various media outlets, I have grown to become an invaluable asset to any team.
