Bare torso, sweaty fradicio. Short trousers, feet boots and arms in the air, led to the sky. “We did it”. Like a boxerwho has just won the most important meeting of his career. Marracash jumps, smiles and thanks. A match of over two hours, in six rounds. One more engaging than the other. No punches, only bars. But that hurt more than punches. And no opponent. Or rather, the Milanese rapper, For the first time on the “ring” of San Siro, he stages the battle with himself, between the artist and the man. A concert, but also a film: an unprecedented show in the history of the Italian scene, which digs a moat, marks the line.
Five giants robots with their mechanical arms in constant movement. A huge eye that has the voice of Matilda De Angelis, Fundamental red thread in the narrative labyrinth. Then again a mega mobile laboratory, which preserves the capsule inside where the patient is locked up and taken over by the scientists of the Mind Industriesin charge of the Inner monitoring for the neutralization of detachment. The goal? Combine the two souls, in fact, put an end to inner dualism. Find the square, in the synthesis. That it is not trivially a passive acceptance, but a new level of awareness that removes identity anxiety.
An imaginative journey into the awareness of the artistthat the viewer lives sneaking into a dream. Until it becomes an integral, interactive part of it. Not so much in practice, as in emotional immersion. Because the Marra-Fabio conflict is a symbol of a conflict that, on various plans and with different specificities, concerns everyone. It concerns the human being. Here the concert -Film, for long stretches, takes on the appearance of a group psychoanalysis, where everyone – more or less consciously – is pushed to a reflection. Of course, the show has various levels of use, I will spoil the artist himself in view of the zero date, But the advice is live it in its maximum depth.
It starts in cannon with King Marra who comes out of arrogance from the capsule: Scientists, who are actually a body of actor-gallery, try to tie him, but he rebels, is unstoppable. First act: the ego, with Power slap to turn on the fuse. Second act: the past comes into play, memory. Marracash is knocked out by “Another pentothal shot”, leaving the stage to his alter-ego, Fabio, with his Doubtsone of the emotionally intense songs. “I am forty years old and never seen a bond that remains»: With the camera focused on the face, behind the crowd, he shoots all his insecurities on the public, without filters. It is the emotional peak, everyone is inside.
As a secular mass, In Vasco Rossi style, one who has transferred the residence to San Siro. The connection emerges instantaneously, like a click, when the iconic sample de The angels introduces I. Beyond the many certificates of mutual esteem, to unite them – today – it is precisely the ability to create an emotional rol beary Where fans rise en masse, compact, willing to live both the ups and down. Wondering, questioning himself. And also facing the world around, with all its contradictions. Without making it a political question, both succeed – with their visceral energy – to transmit social messages, where The only compass is the critical sense.
It is the fourth act, something to fight for. The quotes to do would be many. Above all: “The dead with two scrolling you shake them off,” he says in Crash; “Ignorance waved as a flag,” screams in Those who don’t think; “You can be what you want, because if there is no culture there is no cultural appropriation,” repeats in Cosplayer. Then it’s up to Peace is overwhere the artist comes out for a moment from the film: “There is a world that is burning there. We have to get out of ourselves, we can no longer turn to the other side. Because peace is over ». A call to action, to be felt. But only if you know who you really are, you can really take a position.
We then return to the identity conflict, with Madame (fixed guest of the tour) performs on his own on notes of his For your good, access door to the fifth act, love. From Crazy Love to Crueliauntil She, Good at falling And I fell in love with an ai, wonderful. It is as if the songs of his last three albums – Person (2019), We, them, the others (2021), Peace is over (2024) – They took shape, became concrete. The suburban rapper who undermines his beliefs, the inner conflict that expands to social conflict, Until the showdown, in which all the knots come to a comb. A sort of mosaic, where each piece finds its real value in an overview.
The dots come together, the great eye sentences that Marracash and Fabio have always been the same thing: one more brazen, the other more introspective. Two sides of the same medal. It is the sixth act, reunificationwhich in fact puts the final point for the trilogy: Nothing happens, Love (with the fraternal friend Guèthe only artist to go on stage beyond Madame) e Happy End. The lights light up, the boxer rejoices: “The first San Siro is never forgotten”. He faced – and told – his inner dualism. Like Michael Keaton in Birdman: who really are we? It is the battle with yourself, the only one to fight. Today more than ever.
Source: Vanity Fair
I’m Susan Karen, a professional writer and editor at World Stock Market. I specialize in Entertainment news, writing stories that keep readers informed on all the latest developments in the industry. With over five years of experience in creating engaging content and copywriting for various media outlets, I have grown to become an invaluable asset to any team.
