At the 2025 silver ribbons, Matilda De Angelis conquers recognition as best supporting actress for her role in Out by Mario Martone, presented at the Cannes Film Festival. But the recognition, which arrived during the ceremony at the Maxxi in Rome, was assigned ex aequo with Elodiehis set colleague. And Matilda De Angelis did not hide his disappointment.
“It is very strange to win an award with another person. I find it very disrespectful, in the sense that each of us is a single individual», He said in an interview with Daily made. “When you remove singularity, remove the personality, commitment, uniqueness, peculiarity,” explained the actress. “For me it is senseless to give a shared prize with another person.”
A judgment that opens to a wider discussion on the practice of former aequo in the Italian cinema prizes. Also on the silver ribbons, for example, Yuri Tuci also won the prize for best comedy actor with the film Life as big ex aequo with Pietro Castellitto, protagonist in the role of Riccardo Schicchi in Future diva. But De Angelis is not there: his is a defense of artistic identity. If rewarding two interpreters can enhance the chemistry of a cast and underline the importance of choral work on the other side, As the actress points out, it can weaken the recognition of individual merit.
His interpretation in Out she was enthusiastically accepted by critics. In the film, set in a female prison, De Angelis plays one of the prisoners who confront each other with the figure of the writer Goliarda Sapienzastaged by Valeria Golino. Elodie also says with her, to her first true cinematic role. A surprising proof, that of the Roman singer, who convinced the public and press, but which according to Matilda De Angelis does not justify the choice of a joint award ceremony.
Behind his words there is a precise idea of ​​what it means to be an actress today. “The prizes are not that they are worth nothing, but they are not the reason why I do my job“, he said. Artistically grown between author’s cinema and international series, as fast as the wind to The Undoinghas always given priority to research and interpretative truth.
During the filming in the Rebibbia prison, the actress tells, “the prisoners got excited, recognized themselves, they revised, cried, laughed. This is the meaning of what we do. I do it because I enjoy it, otherwise it would be among the ugliest in the world».
Source: Vanity Fair
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