«At the Eurovision you will not see Michelle who fucks. There he represents an institutional event. The artists are played in three minutes ». Words of Michelle Hunziker who interviewed by Corriere della Sera he told, among other things, the emotion and of how to prepare to climb on the Basel stage iOn May 17, the day of the Eurovision Song Contest 2025 final, departing on May 13th.
«I do Milan-Basel every day, but it is a dream that comes true:« I finish the direct of Strip (the news, ed.), then I get in the car for the tests: four hours of travel, every day. It’s hard, but I had been dreaming of it for years ». The presenter will present, in fact, the final of the show, however, not the semifinals: “Mediaset has granted me a derogation, but we have avoided that I aired against myself too many times”.
As for the race, The presenter claims to appreciate Lucio Corsi (“Brings something original”), in the race for Italy, but declares itself that Switzerland, absolutely neutral. Michelle Hunziker then speaks of the diversity of work in our country and in Germany: «I have been working between Germany and Italy since 1998, I know how different the production machine has been. In Italy we are more flexible, but our lightness is also a value. In Germany they love it ».
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The showgirl, always smiling, He admits that he has talked about, even physically, against adversity But who always face with joy: “My mom reproaches me because it looks like a man with these muscles!”. As always, revealing Michelle also speaks of the imitation of Valentina Barbieri in the program of Gialappa’s By saying that she likes very much: «It makes me laugh like a madman. He exaggerates some things that belong to me. It is the only one who really manages to imitate me. Too bad that there have been no others in the past ». The reference is also aimed at Elisabetta Canalis, who in 2008 saw his parody of Hunziker canceled for Arthur On Rai2: «He thought it was me who prevented it, but I don’t have all that power. He put politics in the way. It was believed that it was not correct to broadcast a person who (albeit for fake) abuse clochard and the elderly. But we clarified with Elisabetta: I never leave out of suspended relationships ».
Michelle Hunziker has trod all the most important musical stages: From Festivalbar to Eurovision, in the middle, twice, that of the Sanremo Festival as a co-conductor, first with Pippo Baudo, in 2007, and then with Claudio Baglioni, in 2018. To the question of a festival of his own replies: «Of course! Those who do this job cannot fail to dream of it. I would feel ready. You have to have all the values of life in the right place so as not to make you wagger. At 30 years alongside Baudo I didn’t feel like that. In 2018 with Baglioni and Favino I enjoyed it ».
In the Baudo Festival, Michelle recalls that “I came out of that complicated period with the sect and relations with Eros Ramazzotti had come to be realized. I wanted to make a tribute to him by singing “now you”. The day before I was Afona and I bombed me with cortisone. I made my voice, I sang very badly, but it was the peak of listening. But the most important thing was a message from our daughter Aurora: she was with Eros and had noticed that my thoughts had come to him ».
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With Eros today the relationships have been friendly and relaxed for years: «We are grandparents and a wonderful experience. The true continuity of life. We have an excellent link. I have already booked everything for the first of his tour in Amsterdam in October: I will be in the front row ».
On the social front, Hunziker The commitment with double defense continuesthe association founded with Giulia Bongiorno. On the controversial texts of rap he says: «The artists must be able to provoke and tell reality. I like Guè, Lazza, Tony Effe. If my children say certain things in life I get angry, if they do it by singing no. It is like for the tissues: there has been a lot of talk of objectification, but often they only reflect the gaze of society ». He also has it on the female presence on TV: «There is, but you have to know how to wait. In Italy more than in Germany, where women choose only institutional roles. As far as I am concerned, I can change the skin: on the Eurovision stage I will bring respect. But always with joy ».
Source: Vanity Fair

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