There is a thread that crosses every room of the royal palace and leads straight to a time we all know: childhood. It is the thread that binds More Than Kidsthe retrospective that traces twenty years of work of Valerio Berruti and that for the inauguration he brought guests to Milan as Antonio Marras, Malika Ayanethe commissioner Tommaso Sacchi, Stefano Seletti, Francesca Lavazza, Patrizia Sandretto Re Rebaudengo. The artist, together with the curator Nicolas Ballario, accompanied friends and colleagues among the twelve installations, telling the background and details of the works.
“More Than Kids It is not an exhibition on childhood in the strict sense – explained Ballario – but on what childhood forces us to look more carefully “. And his words were clear in front of the children’s immobile children In silenceto the lifebuents of A Safe Place who do not save, to the rides that continue to turn even when everything seems to stop. Among the most visited stages of the evening there was Nina’s carouselthe interactive installation that can really be ride on the music of Ludovico EinaudiAnd Don’t let me be Wrongthe seven -meter high girl who welcomes visitors into the courtyard and invites them to literally enter her head, among the images of the video animation accompanied by the soundtrack of Daddy G of the Massive Attack and Stew Jackson.

The exhibition, open until November 2, also presents the new video-animations Lilith (music of Rodrigo d’Erasmo, present at opening) e Look for silence (with Samuel of the Subsonica), together with other works that investigate themes such as welcome (A Safe Place), the collective memory (A new world, Aurora) and the ability to read the present with a less distracted look.

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Source: Vanity Fair

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