There Milan Fashion Week it began by claiming a bubble of serenity and lightness. The show goes on, thinking about the future, despite the outbreak of a war not so far from us. Fear, bewilderment, but fashion does not stop: that’s right, or is it the pure and hard exaltation of the value of the image, which hides trembling hearts. After all, the geopolitical situation caught us a little unprepared, we expected it, but perhaps not so severe. And so the Fall / Winter 2022-23 collections, a riot of femininity and yes, too joie de vivre.
On the first day Alberta Ferretti has proposed ethereal, romantic looks that mark the great return of pink blush, en pendant on cheeks and lips. A blush that we also see on the nude look of Max Marawhich does not even include mascara and which Pat McCrah skilfully applied to the radiant faces of the Prada. A color also taken up on the lips in a very shiny and wet effect version.
As always, the catwalk of Moschino is on its own. Jeremy Scott brought the Maison’s archives back to the top with a 2001: A Space Odyssey. The models wear household items: cuckoo clocks, trays, clocks, lampshades, rugs, drawers, teapots, chandeliers, clocks, locks, a harp. What evolution awaits us the designer seems to ask himself by transforming himself into the astronaut of 2001: A Space Odyssey. A question that today seems sensible.
The looks accompany the hairstyles vintage created by Sam McKnight: bonnets characterized by very elegant retro waves.
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Even the Prada hairstylescreated by Guido Palau, wade into the future, with futuristic geometries, in fact, and very well-defined maxi volumes.
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The gel is the most used product for this clean and flawless effect, while the “crunchy” texture characterizes the most messy hairlooks, with free-moving tufts, such as the top knot proposed by N ° 21. The most pop can copy the colorful regrowth effect seen on the catwalk of Diesel.
In the gallery the best beauty looks of Milan Fashion Week
Source: Vanity Fair
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