A simple woman, who strolls through the streets of Naples dodging the butts that some too distracted lady throws from the balcony and who tries in every way to be useful by putting into her work what she fails to impress on her private life: order and rigor. Mina September, the character who has been bewitching the Raiuno audience for two weeks now, gathering, on the evening of January 24, a share of 24.9% equal to 6,254,000 spectators, is yet another example of how Italian seriality is striving to bring multifaceted and imperfect women to the screen, who show themselves for what they are by becoming the spokesperson for what, until a few years ago, seemed and exclusively the prerogative of men: courage and initiative.
Exactly as But Tataranni, another great success of Raiuno, and how Petra, the series produced by Sky with Paola Cortellesi, Mina Settembre, played by a brilliant Serena Rossi, brings with it not only the absolute dedication to work, but also the insecurities that accompany the love and sentimental front. Just like Imma and Petra, Mina too, in fact, shows herself lost when it comes to personal life: separated from a husband who has betrayed her but tries to win her back (Giorgio Pasotti) and from the attraction for a gynecologist who makes court but struggles a little to recompose (also him) the pieces of a disastrous married life (Giuseppe Zeno), Mina moves on and focuses on work: she is a highly skilled social worker and does not hold back at anything. There where men falter, Mina acts and, regardless of the consequences, launches herself into the most disparate (sometimes even absurd) undertakings in order to save others and reassure them that a way out is always possible.
Between climbing the ledge to convince a man not to commit suicide and ran in an ambulance to save the life of a child in danger, Mina is an erupting volcano, she is the woman you know you can count on even on Christmas Eve because any excuse is good to get away from a mother (the great Marina Confalone ) who does nothing but criticize her and scold her this and that. Despite some underlying naivety it is clear that Mina September, taken from the character created by the pen of Maurizio de Giovanni who, by the way, also provided the narrative material of Commissioner Ricciardi with Lino Guanciale, the public likes it for that skilful mixing that Rai fictions manage to amalgamate with exquisite art. Together with the work adventures and the love triangle, here, in fact, also the complicity with friends (the sexandthecityian derivation never fails) and the family mystery to be untangled, fragments of a puzzle that the spectator enjoys reconstructing himself allowing himself a quiet and peaceful evening. lulled by good feelings.
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