He made dance his life. Roberto Bolle turns fifty years: He crossed decades of stages, met royal and popes, experienced and innovated, and continues to enchant the public with his art.
Born in Casale Monferrato in 1975, he discovered dance at seven years: «I enjoy dancing in a more unleashed way, as a boy can do it. Slowly, however, I entered the mentality of the most rigid academic dance. It wanted time, it was not a love at first sight. Of course, I was brought, I had some qualities ». With the support of the family – the carriage father and the mother who worked as an accountant at home – At just 12 he left his house to move to Milan and attend the Academy of the Teatro alla Scala. A difficult detachment, but necessary to chase the dream.
The turning point comes soon. To notice it is Rudolf Nureyev, who, observing him at the bar, senses the extraordinary potential of the young dancer. He tests him and decides to entrust him with the role of Tadzio in Death in Venicean unrepeatable opportunity that the scale denies him for personal reasons. “I was 15 years old. I thought I had lost my only chance ». But fate had other plans.
At 20 he made his debut as the protagonist in Romeo and Giuliettathe following year is the first dancer. His career takes flight: La Scala, the Paris opéra, the Mariinskij of St. Petersburg, the Bol’šoj of Moscow. At 22 years of age for the British royal familyfascinating Lady Diana and Princess Margaret. In 2002 he participated in the celebrations of the Golden Jubilee of Queen Elizabeth II, an event broadcast in a worldly. In 2004, the consecration: it is Étoile della Scala. In 2007 Alessandra Ferri joined her farewell to dance, an experience that definitively consecrates him internationally.
His career has led him to collaborate with the greatest choreographers and dancers of our time. From Nacho Duato to William Forsythe, from John Neumeier to Christopher Wheeldon, Bolle has been able to interpret the classics and reinvent himself in the contemporary repertoire. In 2019 he received the title of Knight of the Legion of Honor in France, while in Italy he was awarded the order of merit of the Republic. “I want characters who have depths, different colors, that a twenty year old boy cannot give»He says today, underlining how maturity has enriched his interpretation.
Roberto Bolle has never limited himself to the great stages. With the gala Bolle and Friends He brings dance to the squares, in the archaeological sites, in the segrants of the cathedrals. Naples, Rome, Florence, Milan: each show is an event. Then Television: Dance with me On Rai1a program that has been able to bring the general public closer to dance. «The dance is for everyone. It is emotion, it is a story, it must not be closed in theaters ».
Today Bolle looks forward with new projects through its foundation, which brings dance to the most unexpected contexts: prisons, hospitals, schools. “Now An initiative in the Beccaria juvenile prison in Milan will start: we will make street dance lessons, Afro and hip hop, once a week. We have already gone to make a first meeting and a demonstration and it really liked it ». The next goal? A dance education program in schools, because its commitment is not only artistic, but also social.
If on stage it is told with the body, Bolle mainly keeps a reserved profile. “The space that goes beyond the stage, when the curtain closes, for me it is very important, personal and absolutely private”. For some time there has been rumors of a relationship with the stylist Daniel Lee, but no confirmation.
And on the possibility of having children? “No, I don’t mind not having children. I understand the beauty and value of having children, but you have to hear it as something that belongs to you. My family of origin has always been a very important reference point and is still. In the next 50 years, maybe there will also be more space for personal life ».
Source: Vanity Fair
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