«Without a name I, without a name you. And talk until we no longer need a name. Without haste me, without haste you. We touch each other delicately to understand each other a little more ». This is how it begins A million things to tell you, the song that Ermal Meta proposes on the stage of the Sanremo 2021 Festival and already defined by many as the most poetic text of this edition, capable of touching the strings of the soul and of the contact that Meta has always told in his discography with grace and elegance, caressing with extreme delicacy the whirlwind of human emotions and unexpected loves, remained who knows how long pending.
His return to Sanremo three years after the victory paired with Fabrizio Moro and al fifth place at the Eurovision Song Contest starts right here: from a very intimate love song composed by Ermal Meta three years ago, designed only for voice and piano. It remained in the drawer for a long time before the artist decided to take it back and send it to Amadeus at the suggestion of his staff, convinced that it was the right piece, especially in a year in which we have all rediscovered the value of closeness with the other. Unlike the social and sometimes incendiary themes that Ermal proposed on stage in the past – this is his fourth participation in the Festival, the sixth if we consider, instead, the experience with Ameba 4 in 2006 and with La fame di Camilla in 2010 -, A million things to tell you it is a simple song, at times sparse and, for this very reason, full of meaning.
“I have a million things to tell you, but I’m not saying anything. In a sea of happy days my mind drowns “ sings Ermal Meta, close to the release with the album Urban tribe March 12, recalling not only the indispensability of a contact, but also the need to share the journey with another human being, with someone who completes us and who is «my station, while I am your journey». “If I can’t get up, I’ll stay with you on the ground. You’ll have my rattle heart for your headlight eyes. We will make them enough »sings Meta again insisting on the things we cannot say and on the defenses that we have to lower because only in this way will we be able to truly welcome those who are close to us. “A million things to tell you, na I don’t say anything,” he finally concludes. With the hope that that embrace, albeit metaphorical, manages to reach all the spectators from home.
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