When we asked for some indiscretion on the look of Gaia, her stylist Ramona Tabita anticipating that she would be a “modern rider”, she didn’t unbutton much. Contrary to what the young artist did last night who showed a shy breast in the dance that accompanied her piece Bitter heart.
For her debut at the singing festival, Gaia chose a total white signed Salvatore Ferragamo full of fringes that enriched and animated the choreography of the piece.
In reality, nothing on paper could suggest what was readily classified as a “hot accident”: if we could have bet on this, we would have done it on many other necklines seen in these first two evenings, Malika Ayane, Matilda De Angelis e Annalisa, just to name a few.
It was the same creative director of the maison Paul Andrew to take care of the ensemble of the twenty-three-year-old Emilian made up of a parchment silk shirt worn under the short bustier with flared trousers in jacquard fil coupé. In short, given how she had been sheathed, her breasts seemed to be safe. And instead a shadow peeped out between the transparency and the bodice. Even if everything has been done with discretion, the Gaia case is not a Patsy Kensit bis, citing perhaps the most illustrious precedent to the festival dated 1987. A geological era ago, ten years before the competing artist was born into the world. One moment more I see that I do not see that Gaia then inserts in a special palmares, that of the breasts that peek out on the stage of the Ariston.
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