By tradition, we know that the third evening of the Sanremo Festival is the coolest of the five, halfway between the discovery of the songs of all the Big players in the competition and the rich dish offered by the covers and duets on Friday. This is why Amadeus chose to be escorted, right on the third evening, by the revelation co-host of this Festival, the one we knew would not disappoint us even before discovering what she would do on stage: let’s talk about Drusilla Foer, the character created by the intelligence of Gianluca Gori who in Sanremo attracted the preventive criticism of Pillon and the enthusiasm of the public who had the opportunity to appreciate his talent in the theater and in various television broadcasts, fromExtrafactor at the Republic of women. Those who have not had the opportunity to see it before, managed to appreciate it in Sanremo for the elegance of the movements as well as for the self-irony and a tenderness capable of melting even the coldest of heart. Like the caress and the kiss stolen from Michele Bravi when the latter told her that seeing her at the Ariston was the triumph of meritocracy.
Amadeus and Drusilla Foer
However, there was also a good dose of improvisation necessary for the survival of any self-respecting artist. Like Iva Zanicchi who, when she told Drusilla that she had something more than her height, was forced to collect the best answer that Drusilla could give her: “I’m cultured”. The third evening of the Festival, beyond the exploit of Foer who, at this point, we hope will be able to bring her show Very elegant on television, perhaps on Rai3, has managed to pull the pace also thanks to the bursting energy of Cesare Cremonini who, dressed Armani, offered a medley of his most timeless hits and his freshest hits, proving to be a performer capable of devouring the stage with a spoon, dragging the audience into a wave of contagious euphoria that, from the Ariston, spread up to the armchairs of our house. There were, however, even moments of reflection: like the monologue that Roberto Saviano created to commemorate the thirty years of the Capaci massacre and the intervention of the young woman Martina Pigliapoco, the 26-year-old carabiniera who, in October 2021, managed to make a woman desist from throwing herself off a Tibetan bridge after a discussion of about three hours.
Cesare Cremonini
Daniele VenturelliAs for the music, the third evening saw the performance of all 25 Big players in the competition, closing at two in the morning. The general classification, the result of the sum of the Televoto and the Survey 1000, confirmed what many hoped, ie the first place of Mahmood and Blanco who, also in this round, after having smashed a first record on Spotify, offered an unforgettable performance, capable of breaking screens and celebrating a free and fluid love. Behind them, however, they pop up Elisa, which came first in the ranking of the Press Office drawn up during the first two evenings, e Gianni Morandi, now completely at ease in Sanremo despite his long absence from the competition. Some songs deserved a higher ranking and others a lower position but, on the other hand, if everything went smoothly in Sanremo it wouldn’t be Sanremo, or maybe it wasn’t clear?
Other stories of Vanity Fair that may interest you:
Being Drusilla Foer in Sanremo 2022
Sanremo 2022, Blanco and Mahmood are from another planet
Listen to Sanremo 2022: the second evening does better than the first. It is record
Sanremo 2022: why the controversies on Lorena Cesarini’s monologue are unfair
Sanremo 2022: the general classification of the first two evenings
Sanremo 2022: the second evening, between comedy and reflection
Sanremo 2022: Lorena Cesarini’s monologue against racism
Sanremo 2022: Checco Zalone and the incorrect show that goes straight to the mark
Sanremo 2022: why Laura Pausini is the queen of the Festival
Sanremo 2022: the ranking of the first evening
Listen to Sanremo 2022: the first evening starts with a bang
Sanremo 2022: the disappointment of Ornella Muti
Sanremo 2022: the first evening, under the sign of the Fiorello Show
Sanremo 2022: Damiano’s tears
Sanremo 2022: thank goodness Fiorello is here
Sanremo 2022: thrills for Mahmood and Blanco
Rkomi: “Where’s the spark?”
Sanremo 2022: the lineup of the early evening
Sanremo 2022: here is who will sing the first evening
Sanremo 2022: here is who will sing on the second evening
Sanremo 2022: all the photos behind the scenes
Sanremo 2022: all the times by Gianni Morandi
Sanremo 2022: the thousand faces of Achille Lauro
Sanremo 2022: who is Yuman
Sanremo 2022: who is Dargen D’Amico
Sanremo 2022: the return of Ornella Muti
Sanremo 2022: this is how the competing artists will dress
Sanremo 2022: Fiorello will be there (and we will see some good ones)
Sanremo 2022: who is with whom
Sanremo 2022: the 72-year history of the Festival in 72 pills
Sanremo 2022: who are the 25 singers in the race
Beauty in Sanremo 2022
Sanremo: the 10 love songs that made the history of the Festival
Sanremo 2022, Giovanni Truppi: “Always faithful to myself”
Sanremo 2022: the favorites for the victory
Sanremo 2022: here is the scenography
Sanremo 2022: Will Fiorello be there?
Sanremo 2022: all the covers and duets in the race
Sanremo 2022, Gianni Morandi: “The trembling before going on stage”
Laura Pausini super guest of Sanremo 2022
Sanremo 2022: Francesca Michielin will be Emma’s conductor
Sanremo 2022: Cesare Cremonini super guest
Sanremo 2022: here are the 5 co-hosts
Sanremo, 10 “meteors” that have remained in history
The missed winners of the Sanremo Festival
Source: Vanity Fair
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