The arrival of Sarah Ferguson at St. George's Chapel last Sunday, it was a real surprise. The Duchess of York was last spotted at Easter mass with the other members of the royal family English, in fact, dates back more than thirty years ago, to be precise, 1991, the year before the announcement of the separation from Prince Andrew (with consequent divorce made official in 1996).
An unexpected return therefore, for which Fergie has decided to show off one of her most loved and flaunted colours, namely a Emerald bright and vivid, the same, or in any case very similar to the one also chosen for the wedding of his daughter Eugenie celebrated in October 2018.
The royal, once again, chose her look carefully and punctually, opting for a not so casual red jacket
A vibrant, unfailingly spring tone, expressed on a tweed midi dress dusted off in the wardrobe for the occasion, characterized by maxi side pockets and a long row of buttons embellished with the golden logo of the all-Italian brand Dolce&Gabbana. To complete everything, a chain belt with a maxi pearl white teardrop-shaped charm.
On the accessories front, Sarah Ferguson focused everything on black, as if to tone down the vivid push of green, opting for a clutch bag with matching total black gloves, and a pair of vintage Chanel pumps in leather and with not excessively high heels.
The extra touch? The inevitable headband, another key accessory in Fergie's looks, always black with pearls and crystals forming small floral decorations, perfect for embellishing her half-updo with curls. It is a creation of the English brand Roseings London. Last, but not least, the rigid gold bracelet with the names of the daughters written in large letters. A jewel with profound symbolic and emotional value.
The Spencer sisters, as well as Lady Diana's nieces, are very close stylistically, but the choice to present themselves at events with chromatically opposite looks is becoming their fashion winning card. Just like the unlined one in the front row of the Michael Kors fashion show
Without a doubt a return in style.
Source: Vanity Fair
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