After the end of the fourth season of Sea outside There was only one question that tormented the purest fans of the series: Would the story have been able to go on without the chiattillo, Naditza, Carmine and Edoardo? The answer is yes, even if the new Sea outside It is very different from what was originally. The first six episodes available exclusively on Raiplay have highlighted a clear change of pace compared to the previous year: From the finished love between Rosa and Carmine, in fact, we move on to a full -speaking war that has made violence in the series in all its obscure purity. To the few survivors of the original series, on the other hand, There are many new entries that try to make up for the absence of historians rby icorre to new narrative grafts. Grafts that, must be said, they work: good the gimmick of the entrance of the very bad Milanese – even if the Ciro Ricci played by Giacomo Giorgio remains the most unsurpassed villain who has ever been seen in the Italian fiction of the last few years -, but also the new life of Rosa Ricci – The always talented Maria Esposito – That seems to have nothing more to lose having left behind not only Carmine but also her family.
And if it seems that the (real) narrative turning point of this season will be Discover that the Matriarch of the Ricci played by Antonia Truppo is actually still aliveremains a doubt that we just can’t drive away: are we sure that this new series has the intention of the original in common? Let’s think well: Sea outside It was a series that, yes, had to tell the juvenile prison reality in all its rawness, but it had to still allow children and the public to discover that a hope, albeit labile, to improve things and to straighten their track could be possible. The friendship between Filippo and Carmine, in this sense, represented the highest point of that intention, not to mention the escape of the two of them together with Naditza who, at the end of the second season, reminded us that friendship and love can be born even in the most unthinkable places. Well, in the first six episodes of this fifth season – the remaining six will arrive on March 26 on Raiplay – It seems to us that the “sea outside” is no longer there.

Everything is so sadly dark that the light now seems to be turned on only on very few characters: from the Silvia of Clotilde Espositounjustly detained for a fault he did not commit, to the Miccio di Giuseppe Pirozzi who, for a single moment, seemed to find a redemption for his future life, not to mention the Mimmo di Alessandro Odrei and of the Artem pinewhich after Kubra’s farewell seems to have found its center. For the rest – Except for the mythological Beppe by Vincenzo Ferrera – , I am the drug, the money, the raids, the bullets and the barrels to be the masters. The new direction of the new entry Ludovico Di Martino It is, yes, adrenal, but also deeply dark. Certain scenes – like that of the broken hand of the poor cardiototrap of Domenico Cuomoperhaps the only real bright protagonist who remained in Sea outside – They almost made us rise to the bile, not to mention the doubts about the path that the screenwriters will trace the new revenue: we will be able to understand Simone’s true intentions (Alfonso Capuozzo)? Samuele will succeed (Francesco Luciani) and Federico (Francesco di Tullio) to become more mefistophalic than Ciro? Definitely too early to say it, even if it is evident that, a little in the same trail of Elite, The new Sea outside has chosen to awaken the hot spirits Much more than the previous seasons, considering that the protagonists are now increasingly naked and with the muscles well in sight than clothes.
Source: Vanity Fair

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