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Second night of the party in Parintins talks about folkloric tradition and native peoples

O capricious was the first to perform this Saturday (26) during the second night of the Parintins Festival. The caboclo identity was honored by the Touro Negro, who highlighted in the arena the respect and union between caboclos and the forest.

In the first few minutes, a giant allegory of Caprichoso brought the star of the blue party. Drone flights and a lot of show in the air, made the crowd delirious.

“We use technology to maintain our tradition. To better tell our stories. If we can make it fly in the arena, we’ll do it”, comments the president of Caprichoso’s art council, Erick Nakanomi .

Another highlight of the presentation was the Amazonian legend “The Rails of Death”, which interacted with the bluish crowd and impressed the audience with the narrative of the construction of the Madeira-Mamoré railway, in the early 19th century, in Rondônia. Railroad ghosts invaded the stands.

O Guaranteed ended the second night with the black spotlight in the northern region and the Cabanagem movement in the Grão-Pará region.

The typical regional figure, one of the mandatory items of the presentations, entered the arena with eight modules up to 18 meters high. Black protagonism was also represented by the toada lifter, Edilson Santana.

The singer Marcia Siqueira one of the lifters of the boi do povão, spoke of the emotion of paying homage to Afro culture and everything it represents for Brazil and the Amazon.

“Another emotional night. This edition of the Festival de Parintins, the festival of festivals, is a return to this much-loved, long-awaited party. All the influences that we have. An exciting night, with lots of axé, lots of light, he said.

Xandoré and Ticê, legends of the Tupi-Guarani ethnic group, entered the Bumbodromo with grandeur. The red and white ox told that Xandoré was the personification of hatred, envy and rancor, while Ticê was a powerful woman capable of deceiving evil spirits and protecting other women.

The toada, plywood called the songs on the bulls, composed by Ronaldo Barbosa Jr. asks the women to cry out to Ticê.

Source: CNN Brasil

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