Teo Mammucari and the limit crossed on Dancing with the Stars

It’s been a while now Dancing with the Stars tries to include in the cast a name capable of shuffling the cards, and it is very probable that in Milly Carlucci’s mind that name for this latest edition was that of Teo Mammucari. The conductor represents, in fact, for better or for worse, Morgan’s share of Dancing, that is, that unpredictable character from whom it is possible to expect anything and from whom everyone, including the judges, seems to be careful not to provoke in order to avoid the inevitable. After the stormy farewell to Mediaset, company in which Teo Mammucari seemed to have found his dimension among the role of juror of You are worth it and the management of Hyenaswhich suddenly ended blankly due to unspecified misunderstandings with both the creator Davide Parenti and his colleague Belén Rodriguez, it was inevitable that Teo would look around to find his way, and it was at the same time inevitable that he would listen to the siren call of Milly Carlucci by landing on Rai.

From the very first episode, however, the figure that would distinguish his path was immediately clear Dancing: that of provocation and, above all, of braggadocio. Teo Mammucari he doesn’t like to be contradicted and he doesn’t like having to give the floor to others, even when the others are called upon by contract to judge him and give him a mark for his performance. Beyond the competition and the fact that he actually does well on the track, the impression is that he is the authors of Dancing that Carlucci herself treads carefully when it comes to him, perhaps to avoid some dramatic coup resulting in abandonment like what happened to Friends in 2017, when he left slamming the door Morgan, then recruited years later precisely in Dancing with the Stars which at the time clashed with the school of Maria De Filippi. During the episodes, we said, the feeling with Teo Mammucari always seems to be that of those who go theresince almost no one understands when you’re joking and when you’re serious.

It was the one who ended up in the crosshairs more than the others Selvaggia Lucarelli, towards which Teo Mammucari seems to nourish a particular intoleranceaccusing her on several occasions of having it in for him to the point of threatening her, it is not clear how good-naturedly the fact that next year her place will be occupied by him. In the face of attacks and provocations that are slowly abandoning the threshold of superficial respectability and ending up in bad tastethe presenter Milly Carlucci chooses not to take a stand and to show off both when Teo Mammucari lashes out at the jury and when he attacks a professional like Antonio Caprarica who, at one point, was even about to quit the program because of him. We know that Teo Mammucari’s management has always been centered on oppression of others – just remember the times of Freewhen he heavily teased the studio audience just to get a laugh – but this is not a justification: in life and work, fortunately, we grow and changeand it’s time we realized that unfortunately, a DancingMammucari is dangerously crossing the line.