The plays stagger, but the story comes together. After a first slow episode, dedicated to the summary of the directives of the social experiment, The Barracks understands that human material and characters’ story is more important than what’s left in the background, including the recalling boot camp Officer and Gentleman and that, inevitably, it remains something that the television audience is not all this familiar with unless it has been leveraged. The third episode aired on Raidue on February 10 confirms the rightness of intuition, finally allowing the viewer to enter the dynamics of the program not so much by considering the boys as recruits to train, but as segments of a group that now joins and now he splits up, now he screams at himself and now he makes peace.
The division of the boys into teams and the competition derived from the competitions proposed by the instructors and the jealousies and envy between women and men ensure that the spectator grows within himself the affection for a major theme in everyone’s life: acceptance and exclusion from the group of the just, from the tribe that is in a hurry to immediately understand if our contribution will be decisive for survival or a dead weight to be dragged slowly. Albertoni deals with us immediately, and that’s why he decides to leave The Barracks: the fact that the companions observe her and judge her inadequate for the achievement of the tests makes her uncomfortable and pushes her to abandon in order not to continue to feel wrong. This, of course, causes agitation and dismay, at least until the narrative slips by bringing the attention back to new ideas, from Cazzullo’s lesson on the condition of women to the exercises with simulacrum weapons that torment Santoro because of her parents’ past.
It continues to be the master the competition between the old and the new, that game of bosses and clans that wants the freshest recruits unworthy and the old ones like those who can afford everything by virtue of a certain amount of seniority which, to tell the truth, is only a few days. Together with the amorous agreements – see the Lapresa brothers -, to the jokes hatched with the complicity of the instructors – see Ciupilan – and sculpted abs that never hurt – see social media -, The Barracks continues its journey trying to enter more and more into the hearts of the spectator who, like it or not, continues to rethink the formula of College which, however, took years to strengthen and become the unmissable event it has become. The doubt is always a bit linked to the fact that he has recruited characters who are not foreign to the world of social media, too aware of the reactions that they may or may not like from home, but otherwise it is clear that, regardless of the ratings, La Caserma has worked a lot to achieve the most important thing for any self-respecting docureality: identity.
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