Alain Delon Sex Symbol and unforgettable actor. But also, in these hours, violent and paranoid: at least that’s what supports the portrait made by French journalists Laurence Pieau and François Vignollewho come out in the bookstore with the postum biography of the actor, entitled Les derniers Jours du Samouraï. The last days of the samuraiin fact (Samurai was one of the nicknames of Alain Delon, based on the thriller-political film he played in 1967 and who was one of those capable of consecrating his actor figure), those preceding his death, which took place just under a year ago.
Days characterized by remarkable family tensions, as his last partner had already told, Hiromi Rollinarguing that Delon’s three children, born from a life of many love relationships, Anthony, Alain-Fabien and Anouchka (among the children of Delon there would also be Ari Boulogne, who however was never recognized by the actor) had prevented her from giving him the last farewell. Now, those sad and tormented days are also told in an investigation book that is inflaming France, telling the darkest side of one of its most popular faces.
The book collects testimonies of the star family, of its employees, its neighbors, friends and even police officers. The result is an alarming picture, in which an atmosphere of violence and paranoia imposed by Delon to the people close to him is told.
The most raw and shocking testimony is perhaps that of His son Alain-Fabien, who describes the violence suffered by his mother, Rosalie Van Breemen At Delon’s hands: “He split my mother’s head,” says the French model. “She broke her nose twice, she broke her ribs, she broke eight ribs …”. And he also speaks of mistreatment and violence against Delon’s latest partner, Hiromi Rollinwith which relationships have always been more than controversial, since the children have always accused her of having taken advantage of the French actor, now elderly. “I can’t say how many times he beat Hiromi,” said Delon’s son to the two journalists. A theory also confirmed by a friend of the woman, who tells the authors of the book that she saw her “with black and bruising eyes” or “with the sign of the fingers on the face”.
The testimonies collected by the two journalists, who speak of a devastating family situation are many. There is Delon’s bodyguard who says that “Dallas is a joke in comparison», Jokingly on the most typical dynamics of a television drama than real life. The fault, he senses, would be of the actor, who is also told as a paranoid man, to the point of keeping a gun constantly under the bed and, in the last months of his life, when this paranoia seemed worse, getting to aim at her bodyguard. Since that day – the book tells – his son Alain -Fabien replaced the bullets of the gun with fake ammunition.
An image, the one that comes out of the stories of these Last days of the samurai Which certainly does not honor what has been a great star of international cinema is an icon of beauty and skill of his time, who remained immortal over the years. And who also built around him a obviously complicated and at all serene universe, regardless of that these accusations of violence are confirmed or denied. The portrait that comes out of it, in fact, is disturbing, but it is true that, even without these terrible testimonies, Alain Delon’s life had already been stained by voices, accusations and counter -accusations, family quarrels and little clear affairs, who certainly had dirty that image left in the heart of all his fans.
Source: Vanity Fair

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