The Duke of Westminster Hugh Grosvenor And Olivia Henson they said Yes. An eagerly awaited wedding for the couple, announced last year and celebrated in the sumptuous Chester Cathedral, in the presence of a large number of guests – more than 400.
Although officially it cannot be labeled as marriage royal, the ingredients to be so are all there, including ties with the sovereign family. Starting with the one with the Prince William, long-time friend of the Duke of Westminster, called upon to take on the role of usher, a sort of master of ceremonies and official companion of the groom. As well as the one with King Charles IIIwho, although absent from the ceremony, is Hugh’s godfather, as the latter is in turn Prince George’s and Archie’s.
The bride’s hairstyle
Royal ties aside, the real protagonists of the day were them, the newlyweds, appeared complicit and smiling, and even more so the bride, in whom many see the discreet elegance of Kate Middleton. Unlike the latter, who showed off a romantic semi-updo for her wedding, Henson instead opted for a spectacular updo with sleek roots, and with lengths worked in refined weaves.
Hidden under the graceful veil, finished with a hem with inserts and embroidery that belonged to that of her great-grandmother, the hairstyle condenses contemporary elegance and inevitable tradition. The very tight roots, divided in two by a clear side parting, allow a good dose of volume to explode on the top of the head, expertly recreated to accommodate the tiara Fabergé Myrtle Leaf, a precious and significant jewel, worn by brides of the Grosvenor family since 1906.
Pinned halfway down the neck, a braided chignon, with a regal boho-chic flavour, just as the latest trends want.
The bride’s make-up
Once the veil is raised it explodes the natural radiance of the brideenhanced by overall very soft, discreet make-up, perhaps slightly accentuated on the eyes, where the thick eyelashes dressed in intense black.
The luminous complexion is warmed on the cheeks by touches of intense pink blush that enhance the line of the cheekbones. To light up the smile, a mauve with a creamy texture, which gives a note of colour, albeit subtle, to the face.
The bride’s manicure
No transparent nail polishes, milky tones or pale pinks. Olivia Henson opted for a baby pink manicure. A decisive tone with a pop touch. A true master key.
The beauty looks of the guests:
Natalia Grosvenor
The groom’s mother she chose a vivid total look in fuchsia and red tones, which she combined with a soft semi-updo, with large, soft waves that give volume to the hair. The various locks are secured with well-hidden hairpins, while a maxi detail of feathers in the same shades as the outfit dominates the hairstyle. On the make-up side, a play of powders highlights the cheekbones, warming the complexion, as do the lips lightly colored with a shiny pink tone. For her a flaming manicure.
Lady Edwina Grosvenor and Lady Viola Grosvenor
That is, the groom’s sisters. Both opted for hair styled in soft, soft, sinuous waves. The extra detail? A blue headband matching the bag for one, and the inevitable hat matching the dress for the other.
Lady Edwina Grosvenor
Lady Edwina shows off the most loved and popular medium cut of all time, the bob in a fluffy and wavy version. The make-up is soft, with a complexion highlighted by dustings of pink blush, just like her manicure perfectly matched to her dress.
Eugenie of York
Princess Eugenie worked her lengths into sinuous, well-sculpted waves, protected by an ever-present cream-colored fascinator with veil. The make-up focuses entirely on her gaze, emphasized with a black line that highlights her light irises. Her lips are painted pink.
Source: Vanity Fair
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