The highly anticipated night of the Oscars is also the window on current make-up and hair trends. Browsing through the thousands of galleries of red carpet looks that can be found online, you will discover the trends to focus on. Among the many who won us over there was one, which in our opinion, was deserving of an Oscar, that of Anya Taylor-Joy, the actress of the hit series The Queen of Chess.
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The actress and model, ambassador for fashion and beauty of the maison Dior, held court as a modern Lisa Fonssagrives, the first professional model, who appeared on the cover of numerous magazines during the thirties, forties and fifties, including Vanity Fair And Vogue. Her make-up look with strong details, eyes surrounded by black and fiery red lipstick were hidden behind a veil but nevertheless they were absolutely protagonists.
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Created by the hand of make-up artist Georgie Eisdell it had a contemporary aesthetic of the classic Old Hollywood look eyeliner + red lipstick. In fact, a smokey effect has been added to her eyes, entirely surrounded by the black line, faded for a reinterpretation slept-inor the trick with which you went to bed the night before, with a super contemporary smudged, very rock look.
An eye makeup that is popular on social media at the moment with the tag #smokeyelinerthat is the meeting in perfect harmony between cat eye and smokey eyes chic and elegant.
Made with eyeshadow Dior Mono Couleur Couture Shadow in the shade Black Bow, it seemed almost a transposition into the make-up language of the transparent effect of the Little Black Dress designed by Maria Grazia Chiuri, worn by the actress for the evening.
A smudged make-up for the eyes, counterbalanced by red and shiny lips perfectly outlined thanks to the lip pencil Dior Lipliner 999intensely colored by Dior Rouge Lipstick 743 and glossed by lip gloss Dior Rouge Forever Liquid 999.
The elegant and clean chignon with the lengths tied at the nape, in which her platinum blonde hair was gathered, added rigor and refinement to the total look: an authentic reinterpretation of a timeless classic.
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Source: Vanity Fair
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