What was Jean Paul Gaultier doing at the Annecy Festival? Well, the eternal enfant terrible of fashion after saying goodbye to Haute Couture in 2020 he returns to imprint his revolutionary signature on a surprisingly new work: a fanimated film. Mais oui, the wolf loses its fur but not the habit of defying expectations. And this new venture coming out for the first half of 2027promises to be a masterpiece beyond the limits of imagination, in which we will see his unmistakable silhouette like never before.
Already a costume designer for feature films such as The cook, the thief, his wife and her lover by Peter Greenaway and The fifth element by Luc Besson, and fresh from his pyrotechnics Fashion Freak Show, Monsieur Gaultier collaborates with Octopolis And nWave Studios, that’s all I can say the «Belgian Pixar» headed by Matthieu Zeller, taking on the artistic direction of a dream team exceptional. With Émilie Frèche And Amanda Sthers to the screenplay e Benoît Philippon behind the camera, who at the presentation of the project on the banks of Haute-Savoie declared without hesitation: «I want to create a very dreamlike universe by breaking the codes of animation, like Fantasy in which a hippopotamus dances with a crocodile.”
An ambitious vision seasoned with that pinch of irreverence? The creator of the Cone Bra obviously it couldn’t help but get married. Revealing among his sketches a reinvented Paris, where living mannequins and fantastic creatures parade from the Champs-Élysées to the Place de la Concorde. And where protagonist is a small mothwho after being struck by the pages of an old fashion magazine, abandons the second-hand shop where she lives to go to the Ville Lumière and realize his dream. That is, becoming a stylist like the great Paul Vital, alter ego of Jean Paul Gaultier.
“A kind of Ratatouille in the land of haute couture”, borrowing the words of Olivier Ubertalli above Le Point, as a metaphor for research and self-acceptance through the realization of one’s dreams. Despite appearances and context, despite obstacles and stereotypes: anyone can find their voice and create beauty. Even an insect that appears insignificant at first glance. Therefore, also becoming a reflection of Gaultier’s stylistic and cultural heritage, spokesperson of irony, honesty, courage, from the skirts no gender from Spring/Summer 1985 to the punk-cancan of 2011. Because «every difference is never an obstacle; It’s a quality”, the designer has always underlined.
But that is not all. At the height of the narrative climax, the mise-en-scène of a real fashion show version cartoon. Proof that from the magic hat of the legendary couturier what we don’t even remotely imagine can still come out. Jean Paul make us dream!
Source: Vanity Fair
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