Munich, Amsterdam, Madrid, Vienna, and many more European cities and capitals are gradually being transformed into eco-reminder sites opposite climate change that threatens us all. A change that, of course, requires immediate effective action, which is why everyone tries to put their own little stone, no matter what professional space they come from.
THE An art initiative entitled “Earthtime” belongs to Janet Esselman [Janet Echelman]. The American artist has been visiting various big cities for about a decade and in their central squares he places ecological installations, which are none other than intricate floating sculptures made exclusively from recyclable fibers.
After touring various cities around the world, Eselman made her first, really big, artistic installation in Madrid in 2018 as well the Spanish capital has commissioned it to contribute artistically to the celebration of the 400th anniversary of the city’s central square, the famous Plaza Major [Plaza Mayor].
There, Eselman composed a… color agreement with the title of the project to be “1.78 Madrid”, and as the American woman herself said at the time, “the floating sculpture explores the cycle of time as well as the far-reaching effects of the natural phenomenon and the built environment on our lives.”
Her work, presented at a ten-day festive festival in February 2018, consisted of “flying” multicolored fibers, 15 times stronger than steel, which they are knitted, cut and joined together to create a dynamic form that is constantly changing in the wind, offering a unique visual experience to the viewer.
Floating sculptures today
From then until today they mediated a lot: the call for action against climate change became even more insurmountable and urgent, so Esselman devoted his whole body and soul to this goal: ecological awakening through her works which will henceforth be exhibited in large European squares. Somehow, the series of works emerged “Earthtime series”, in which the artist explores the interconnection of people with nature.
In September the Odeonsplatz square [Odeonsplatz] of Munich was transformed into a living space of artistic event with the installation of its floating sculpture “Earthtime 1.26 Munich”. Eselman partnered with Mercedes Benz as part of this year International Motor Show “IAA Mobility 2021” and the work created exclusively from recyclable fibers, with dimensions 24 by 21 meters, is a symbol of the dynamic nature of our ecosystem. The message of sustainability whose carrier is the sculpture, managed in this way to be combined with the theme of this year’s car show, which “praised” sustainable solutions for the future of mobility.
Recyclable fibers are woven as is net. The wind, the rain and the light are constantly transforming the net, which is in constant motion, changing its shape and color and allowing the urban space to “breathe”. According to her, the source of inspiration was the 3D model of the ocean surface after an earthquake that caused waves in the Pacific. The number 1.26 refers to this natural phenomenon, which led to the acceleration of the Earth’s rotation, thus reducing the length of the day by 1.26 microseconds.
«[Στα έργα μου] I am referring to the destructive and uncontrollable forces that affect the lives of all of us on this planet “, emphasizes Eselman, who impresses everyone with her inspiration to knit nylon and polyurethane fibers on striped fabrics that are so floating. suddenly to passers-by and passers-by in the morning while they shine every night as they have built-in LED lights.
Passers-by state impressed by the final result created by a single gust of wind, thanks to which the sculptures sway rhythmically like clouds. “Every time a single knot moves in the wind, the position of each other on the surface of the sculpture changes, in an ever-evolving dance,” Eselmann notes meaningfully, noting that her sculptures are formed after geological events so catastrophic. and strong that slightly affect the speed of rotation of the planet “.
For the sake of truth, each title of one of her works refers to the number of minutes that a catastrophe lasted on the earth, which affected its rotation: for example, “Earthtime 1.78” refers to the earthquake and tsunami of Fukushima in Japan in 2011 and “Earthtime 1.26” talks about the big earthquake of 2010 in Chile.
She emphasizes that these sculptures “are the product of countless hours of work of a team of architects, designers and engineers who interpret the scientific data to finally imagine the original form of the installation.”
However, she states that she will continue to work smoothly on this goal, offering other similar projects whenever and wherever requested.
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