The firm points of the cinema of Wes Anderson They are always the same, and range from the use of soft plots colors that move on the border between dream and reality. It is no exception The Phoenician plot, His latest film presented in preview at the Cannes Film Festival and arriving at the cinema on May 28th That rotates everything around a character that daring is to say little. His name is Anatole «Zsa-Zsa» Korda, he is played by Benicio del Toro And it is a very rich almost immortal magnate, considering that Korda has survived several air accidents to spite its sabotitioners.
When he puts his business in order, Korda decides, however, to leave his immense fortune not to his nine male children but a His daughter Liesl (My Threapleton), a novice one step away from taking the votes that, in order not to mind the father, accepts the work of a provisional heiress in an attempt to identify his mother’s killer. The premises of The Phoenician plot all rest here: From a family to be united, from a mystery to be revealed and by twists and turns to be predicted.
Through a very rich cast that involves Michael Cera is Bjorn, Riz Ahmed, Tom Hanks, Bryan Cranston, Mathieu Amalric, Richard Ayoade, Jeffrey Wright, Scarlett Johansson, Benedict Cumberbatch, Rupert Friend and Hope Davis, Wes Anderson tries, with the Phoenician plot, to confirm the axioms of his filmography by bringing them to a higher level, placing the foundations for an anti -capitalist fairy tale which has its nerve center in the relationship between a father and a daughter, entangled in a daring industrial project.
Source: Vanity Fair
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