“AND A film about lovein a broader sense: love for law, for institutions, for a way of doing politics by exercising the doubt. Today there are too often men of power who have exaggerated certainties, which do not rest even on serious things, but have a bizarre bases ». Twenty -four years after his debut at the Venice Film Festival, Paolo Sorrentino returned to Lido and opened the competition with Graceinspired by the grace granted by the President of the Republic Sergio Mattarella to a man who killed his wife because he was sick of Alzheimer’s ».
Toni Servillo – with which the director thus signs the seventh title together and confirms that «Our relationship has not known crisis, by memory we never quarreled. Only the music divides us, Toni prefers the classic ” – is The President of the Republic Mariano De Santisarrived at his white semester after six government crises. Former judge, his nickname is reinforced concrete. He is a widower, he has two children: one musician, the other Jurist in love with the law as he played by Anna Ferzetti. Before taking leave of politics, he must decide whether or not to sign the law on euthanasia and whether to grant the grace or not the grace of the title to two killers.
In the middle of, A “non -pretext” black Pope who goes around a scooter, an inevitable nun, Guè the rapper (and in an also in Shablo), a scoop given to the director of Voguea chorus of the Alpine troops and a longtime friend of the president – Milvia Marigliano as Coco Valori – which gives the most beautiful jokes and we would all like to dinner.
Better to clarify it immediately: Grace It is not a tribute to Sergio MattarellaAfter The star Declaredly dedicated to Giulio Andreotti. “No intention of making a precise reference to any president“Said Servillo at the press conference. «So I don’t even inspire myself in particular. After all, Many presidents of the Republic have only one daughter, they are Neapolitans, they are widowed, they are Christian Democrats, they are laws. The difficulties of interpreting it? There are no easy characters. But certainly De Santis was a gift: With Paolo we made ourselves mutual good, our alchemy cannot be explainedand after so many beautiful roles in the past, now we have managed to relaunch, not to satisfy ourselves of the already done and a routine attitude ».
Adds Sorrentino: «Mariano is a rigorous man, who dismantles its prejudices during the changes that cross itis facing is a disorientation of consciousness. Why did I put it in front of the euthanasia dilemma? It is one of those themes in which the position takes is complex since it is blended. It is not a question of choosing between good or bad. Moreover, as a spectator I hate the films that want to establish where one is and where the other is. My personal opinion on euthanasia? I express it in the Gracewhich I hope will contribute to bringing attention back to the matter».
Grace The title is not only what the President of the Republic can grant, as sanctioned by article 87 of the Constitution – whose text is the perfect incipit of the film on the notes of a rock song that enters the head and no longer comes out, found on Instagram -, “is also an attitude towards life, the world, paternal, love”, continues Sorrentino. “I searched for actors and actresses who had things in common with the characters they would interpret, for example the relationship with Anna’s father, even if I never deepened”.
In fact, Ferzetti confirms: «My dad was an important presence, he influenced a lot in the choice of the work I undertaken. Grace It was a beautiful journey. I entered the point of feet in that alchemy and was welcomed with open arms. My dorotea is a rich part, and it doesn’t happen often. She moves her father to move herself. It is a complex and compressed being ».
Toni, on the other hand, says he has nothing in common with De Santis. “And that’s what is exciting. I have children, but not females and they are still quite young ».
And Guè? “My wife made me discover it”Paolo Sorrentino replies. «He is a very nice person with a painful background. In his songs he has beautiful sentimental intuitions, although I do not completely understand his texts. It is an element of lightening in a claustrophobic story. And it is necessary. Mindful of the tradition of Italian comedy, it is nice to mix irony and serious themes. Nobody is ever only dramatic or only ironic». The perfect example of this dualism is Coco Valori: «What I would like to be, so vital, passionate and at the same time melancholy. His character came out without thinking about it too much. Perhaps, having attended a high school of males, I missed such a friend. “
Grace It will arrive in theaters on January 15, 2026: «One step at a time. Let’s see how it goes tonight (the premiereeditor’s note), if they throw us in the lagoon or not. We go out this winter, because with the cold people go to the cinema. We did not ask ourselves the problem of the Oscars ».
While waiting, we can reflect on the question that summarizes the whole film: «Who are our days? The days are ours ».
Source: Vanity Fair
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