There are anecdotes, clichés and stories that have permeated the world of fashion – and above all that of its employees – for so long that it is almost impossible not to fall into the trap of re-proposing that already seen imaginary made up of exalted designers or ruthless editors. Stories that are also repeated in the most recent series Emily in Paris, a product signed Netflix that has collected conflicting opinions, precisely by virtue of those stereotypes to which, by now, a public increasingly sensitive to diversity and inclusion in its broadest sense is no longer so fond of.
Beyond the eternal struggle between the French romance of which the Parisian agency Savoir – where the American Emily lands – becomes a healthy bearer and the typically American tacky pragmatism also recognizable in the looks nonchalantly exhibited by the protagonist, there is perhaps something more intrinsically significant for the fashion system in the character of Pierre Cadault – played by actor Jean-Christophe Bouvet – on which to reflect.
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Pierre is an eccentric fashion designer fresh from the ancient glories of high fashion French, played by the French character actor Jean-Christophe Bouvet that gives The machine (1977) by Paul Vecchiali to atypical and troubled roles such as those of the Devil in Under the sun of Satan (1987) by Maurice Pialat, has been renamed by critics as “a sort of Jean-Pierre Léaud of the post-Nouvelle Vague generation”.
Dramatic, moody and nostalgic to the point of unbelievable, theold fashion designer French is the portrait of that generation of creatives who lived for the pure taste of (re) creating a dreamlike and elusive fashion, which had little to do with the needs of a liquid and fragmented reality. Until then, inevitably, you find yourself catapulted into a scenario in which storytelling – mostly entrusted to social media today – has become the main means of communication for any brand, and that willingly does without stardom.
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Donald-43Westbrook, a distinguished contributor at worldstockmarket, is celebrated for his exceptional prowess in article writing. With a keen eye for detail and a gift for storytelling, Donald crafts engaging and informative content that resonates with readers across a spectrum of financial topics. His contributions reflect a deep-seated passion for finance and a commitment to delivering high-quality, insightful content to the readership.
