Among the eight wedding dresses worn by Elizabeth Taylor on the occasion of her many weddings, there is one that – although perhaps it cannot be unanimously considered the most beautiful – is certainly the most interesting. We are talking about the yellow dress worn by the actress to marry Richard Burton.
The first wedding between Taylor and Burton (the two will separate and remarry a second time, and then divorce again) are celebrated in Montreal on March 15, 1964.
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Liz Taylor, fresh from divorce from her previous husband, Eddie Fisher, wears a short dress in mimosa yellow silk organza. The empire-cut dress, which comes just below the knee, has a rounded neckline and puffed sleeves. The look is completed with a precious Bulgari brooch, a gift from the groom, and an elaborate hairstyle in which the long braid of hair is decorated with white hyacinths.
The dress chosen by the diva is unconventional and full of meaning. To draw it is Irene Sharaffcostume designer of the colossal Cleopatraon the set of which Liz and Richard, in the roles of Cleopatra and Antonio, fell in love.
Galeotto was the film. And here it is the choice of the dress, and above all of its creator, is not accidental. When the time has come for Taylor to choose her fourth wedding dress, the purple-eyed actress decides to entrust its creation to Sharaff, the one who had designed the costumes of the queen of Egypt, those same extraordinary dresses that had contributed to ignite the passion between the two actors.
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There is a link between the yellow organza and the gold and the yellow of the sumptuous dresses of the colossal by Joseph L. Mankiewicz, there is the re-enactment of an important moment, the celebration of the beginnings of that love.
Born in Boston on January 1, 1910, Irene Sharaff is formed at the New York School of Fine and Applied Artsthe Arts Student League and the Great Chaumiere Paris. She enters the fashion world as an illustrator for Vogue And Harper’s Bazaarto then carry out a two-year apprenticeship as an assistant to the great theater costume designer Aline Bernstein at Civic Repertory Theater Company.
His first creations appear on Broadway in the early 1930s, of which he became a prolific costume designer. Artist with versatile creativity – she designs sets, costumes for theAmerican Ballet Theater and the New York City Balletand in his spare time he paints and sculptures – not long in attracting the attention of Hollywood producers.
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During his long career, he collaborates with important directors, including in particular Vincente Minnelliand dresses like Judy Garlandgetting numerous Oscar nominations and winning the coveted award five times: in 1952 for An American in Paris, by Vincente Minnelli; in 1957, for The king and me by Walter Lang; in 1962 for West Side story by Robert Wise; in 1964, together with Vittorio Nino Novarese and Renié, for Cleopatra by Joseph L. Mankiewicz; in 1967 for Who’s Afraid of Virginia Woolf? by Mike Nichols.
For Elizabeth Taylor draws clothes for sand castles (1965), The Taming of the Shrew (1967) and – of course – Cleopatra (1963), over sixty dresses only for the protagonist, for a budget of 195 thousand dollars, which reinterpret the Egyptian pomp in a glamorous key.
In 1976 he published an autobiographical volume: Broadway And Hollywood, Costumes Designed by Irene Sharaff. In 1993, the year of her death, the Irene Sharaff Awardsassigned to those who distinguish themselves in the design of theatrical costumes.
Inventor of «Wallis Blue», creator of fabulous dresses for aristocrats and socialites, forerunner of Dior’s New Look, the American designer Main Rousseau Bocher (aka Mainbocher) has gone down in history for one of the most copied wedding dresses of all time. Here we tell you his story, revealing a detail that you may not know
The costume designer who conquered Hollywood thanks to her pictorial sense and her skillful use of bright colors, leaves us some of the most beautiful costumes in the history of cinemaan unconventional wedding dress, symbol of passionate love, and a famous phrase: “You can acquire chic and elegance, but style itself is a rare thing.” Elegance can be conquered, but style is a rare thing.
Source: Vanity Fair
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