When, in 2019, Parasite came to the cinema, Vulture he wrote that when one thought he understood it, the film was transformed into something else. A definition that could also marry very well for Glass, Domenico Croce’s film premiered at the Bari Bifest he sees Carolina Sala as a hikikomori girl sealed in her little room. In this very Hitchcockian psychological thriller Carolina, which we recently also saw in Fidelity on Netflix, it is the absolute protagonist, a catalyst beacon that puts the public in communication with a defenseless creature who, little by little, will discover that things are not what they seem. When I explain that I was shocked by the ending, Sala understands me: “I understand you perfectly.” She answers the phone from one of the narrow streets of Bari Vecchia: her voice is sure and does not betray the slightest fear. She totally opposite to the one she flaunts in Glass.
Where did she start from to build the character?
“I tried to face him on tiptoe, overriding any kind of judgment. The collective experience of the lockdown was certainly useful for grasping the stigma, while, for the rest, I tried to document myself starting from the experience of the hikikomori, trying to understand what it entails ».
What does it entail?
“Never seeing anyone, you do not respond to certain norms of common living: you eat as you want, you sit as you want. It is something that greatly changes the relationship you have with the environment ».
I guess she has come up with a lot of movies close to too Glass.
“Certainly The window on the courtyard by Hitchcock, which the director cited. Personally I have also thought about Mather! by Aronofsky – I studied how Jennifer Lawrence works with the machine – and the Netflix series Maniac of Fukunaga “.
Did Playlist have any?
“Many. I often happened to dance before they put my makeup on, melting me with songs that could get me in the right mood for the day. I have listened to any type of music, from classical to techno ».
What was it like seeing yourself with red hair instead?
“Fun. We started with red and then reached all shades of pink. For another project they cut them very short for me, and I said goodbye ».
Do you like the transformation?
“I really like making myself available physically and aesthetically for a character. I like to work with the various departments without imposing my taste too much, otherwise I would dress in the usual way I like it ».
I go back to Glass because, when the protagonist meets a guy online, it is clear that for her the computer is the only window she has on the world. A condition that in 2020 we all experienced a bit.
“In fact it is something that involved us a lot during the making, since we were all more than a month in a dark room shooting: the collective trauma of being so closed we still carry it inside, but I can say that it was useful having lived that kind of confinement for the role. “
Is there anything you found difficult to deal with after being locked up?
“The first time I went out for a drink with my two best friends, I felt a sort of estrangement in seeing the people around me again, I was no longer ready to manage social impulses”.
You are from Vittorio Veneto: where do you live today?
“To Venice. I moved immediately after the first lockdown: I study History of Art, I work in the theater with my company, and I use the direct train every time I have to get off in Rome ».
Why History of Art?
“I’ve always liked her. I am now a part-time student. I would like one day to try to combine the two, to bring a bit of cinema into art ».
Source: Vanity Fair
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