Meanwhile, in Downton, Lady Mary looks to the future, allowing a fascinating director, Mister Barberto transform the beloved home into movie set. That had to be mutebut then it turns into a sound filmonce again confirming the start of a new era. The new era of the Crawleys – with Mary the perfect hostess and Cora no longer just “the American” – obviously also concerns the faithful servants. From Mr Barrowfinally solved, a Mr Molesleyfinally realized (and in love), and even the most conservative Mr Carson he is willing to give up his wool suit. At least for a few days. Let him be alone another chapter or the final greeting Crawleys are not given to know, what is certain is that the fans will not be disappointed.
The loves of Anaïs by Charline Bourgeois-Tacquet
Anaïs runs out of breath on a date, she runs up and down the stairs, runs with flowers in her hand, runs after people and things that slip away like the light cheap clothes she wears. He runs after the passion who searches to feel alive or perhaps flees from her life, glides on the surface without stopping and fills all the voids with rivers of words, wacky speeches, improvised gestures, lies, indecisions, kisses and encounters. In the whirlwind of his Parisian existence, in his incessant agitation, others often end up being crushed or scammed, like her boyfriend, the landlady, her teacher and all those who entrust her with a job, or the sick mother who would like to have her next to her. But then something changes, because certain dating they are truly revolutionary, they mark a before and an after and you can’t do anything about them. And so, the protagonist of The loves of Anaïsin cinemas from April 28, at the sight of Emiliecharming mature writer, collapses and finally slows down. The attraction becomes a living thing on the big screen, chemistry palpable between the two women, erotic tension irresistible. Presented in Cannes in 2021, The loves of Anaïs revolves around this light figure from nouvelle vague, chased by the sequence shots of the camera, in a perfect film for those who love the cinema of Rohmer.
Source: Vanity Fair
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