After an almost perfect first season, capable of awakening in the viewer the same poetry and emotion that he found reading Daniele Mencarelli’s novel, Everything asks for salvation returns to Netflix with five new episodes and a doubt: how can you continue a story that seemed to have said everything there was to say two years after its conclusion? The director’s writing Francesco Bruniby Daniela Gambaro and Mencarelli himself, makes us understand, however, that something left out was still there, and it was Daniele’s need to feel useful and part of the world. Two years after his resignation from the San Francesco hospital for a TSO, Daniele, played by the formidable Federico Cesari, he became the father of little Maria with Nina (Fotini Peluso) but he is also a slave to a pain that he cannot yet manage. Despite the bright path undertaken in Everything asks for salvation Daniele is fragile, just a little thing, a rude phrase or a shout that is too loud, is enough to destabilize him and lead him to think he is wrong, but this does not stop him from returning to San Francesco as an intern, considering that he is about to graduate in Nursing Sciences.
Returning to the department where he spent the seven most intense days of his life is for Daniele a joy but also a risk, considering that the fear of going crazy by forming too close bonds with the new patients in the dormitory is very high. Daniele, however, cannot escape: together with the legal case with Nina for custody of his daughter, he really needs to meet broken humanity like his to realize that he is not alone. And here, under the aegis of Dr. Cimaroli (Raffaella Lebboroni) and Dr. Mancino (Filippo Nigro), Daniele is ready to start again, even if it won’t be easy. The new patients are anything but affable, without considering that two of them have targeted him: they are Rachid (the excellent Samuel Di Napoli), a boy abandoned by his family who enjoys provoking others, and Matilde, a great Drusilla Foer in the most interesting role of his career considering that, in Everything asks for salvation 2Drusilla does not lend her face to a positive character, but to a very evil, almost creepy figure.
Matilde and her latent suffering are among the great innovations of the series, without considering that all her hatred seems to find the perfect victim in Daniele, giving life to some of the most intense scenes seen in an Italian Netflix production. Among new entries such as the extraordinary Valentina Romani, here in the role of poor Mario’s daughter (Andrea Pennacchi), and very welcome returns as Giorgio played by Lorenzo RenziGianluca played by Vincenzo Crea and the Madonnina of Vincenzo Nemolato – but how good are all three? -, it is evident that, more than writing, Everything asks for salvation 2 you shine with interpretations. It’s very rare to find a product that brings together the best talent that is out there, and yet Everything asks for salvation 2 he did it. From the pain and torment of Daniele made real and raw by Cesari to the deadly charisma of Foer who, in one sequence in particular, shows off all his skill and dramatic verve, Everything asks for salvation 2 it confirms itself as a jewel of poetry and magic in which even the apparently smallest characters, like those to whom they lend their faces Bianca Nappi, Ricky Memphis, Lorenza Indovina and Carolina Crescentini, they make a difference. And it’s a great relief.
Source: Vanity Fair
I’m Susan Karen, a professional writer and editor at World Stock Market. I specialize in Entertainment news, writing stories that keep readers informed on all the latest developments in the industry. With over five years of experience in creating engaging content and copywriting for various media outlets, I have grown to become an invaluable asset to any team.
