Do not be fooled by the white dress and the gum smile: behind every bride hides a warrior ready to make any sacrifice to prove that her marriage is better than any other. The first episode of the new edition of Four weddings, the iconic format produced by Banijay Italia for Sky, proved it to us with a light and captivating register and, above all, with a super partes judge absent in past editions: let’s talk abouti Costantino Della Gherardesca that, before taking the helm of the next edition of Beijing Express, seals his relationship with Sky starting right from Four Weddings, that is, from that challenge that sees four brides judge the ceremonies, dresses and decorations of the others with the aim of winning a stay in a luxury resort.
E #CostantinoDellaGherardesca he also reacted well …#QuattroMatrimoni from tomorrow at 9.15 pm on Sky Uno pic.twitter.com/0Ck76bZwn1
– Sky (@SkyItalia) October 9, 2021
To make the program, as often happens in the typical twin formats Four Restaurants e Quattro Hotel, it is as always the cast that, on this round, does not disappoint expectations. The four “brides of the South” (a Sardinian, a Molise, a Campania and a Salento) spare nothing to the competitors, including somewhat ridiculous accusations of plagiarism because claiming to have the exclusive on the “travel theme” for their wedding is a bit like convincing ourselves that we made it go viral Squid Game among our friends. For the rest, the program remains the same as always, as well as the categories to be judged – dress, food, location and general event -, plus the addition of Constantine who, in addition to seasoning the narrative with his poisonous and never banal comments, retains in his hands the “bourgeois” power to “overturn the situation” thanks to “Bonus Costantino” worth 10 points.
While the brides complain about the fireworks fired in broad daylight and the horse-drawn carriage pulled below 35 degrees, Costantino, comfortably seated on a sofa in a “humble dwelling” overlooking Lake Como, it is the most precise mirror of the viewer who cannot wait to comment and criticize everything that will pass on television in a few minutes. Constantine is the glue between the beholder and the one being looked at, he is the one who adds that extra pinch of pepper which, in a subtle and never vulgar way, ends up becoming the final jab for a very fierce program where wickedness is anything but parsimonious. Costantino, now not new to the wedding (you remember The brides of Constantine?, the program in which he married, among others, Valeria Marini and Paola Ferrari?), is the missing quid, the icing on the cake (wedding, of course) that we can’t wait to cut.
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