This article is published in number 15 of Vanity Fair on newsstands until April 12, 2022
“Mario Klingemann is an artist and a skeptic with a curious mind,” says his biography on the specialized site Artsy.net, and it seems to me the most suitable description for this fifty-year-old boy with the face of a boy who amusedly studies the roots of human experience. Under the pseudonym of him, QuasimondoKlingemann produces art by inventing new applications of neural networks, those particular declinations of artificial intelligence that teach machines to be more “human” (and to create things that once only humans created) through the so-called deep learning. Quasimondo has compared artificial intelligence to the instruments of a musician that he experiments with his music.
The work of 2018 Memories of Passersby I (Companion Version) di Quasimondo, pseudonym of Mario Klingemann, 52 years old.
For his work Appropriate Response has recovered a remote control paddle (those rotating letter displays that were seen in stations and airports years ago) and connected it to a neural network capable of generating complete meaningful sentences: the result of invoking his intelligence, in 125 letters, could be consulted kneeling on a church genuflexorium. In another job, Neural Decayused three opposing generative networks (which is what you get by joining two or more neural networks) to generate portraits of people with disturbing but strangely realistic traits.
“As with any other art form,” he says to Vanity Fair, «The first question to ask yourself in the presence of these works is always very personal:“ What does this thing tell me? ”,“ Why do I like it? ”, And so on. Usually, with AI Art the interest is concentrated on the factor “a machine made it”, but by itself it is not enough: to remain and affirm itself, algorithmic art must do what the best art does, that is raise interesting issues “. In any case, according to Mario, the moment of wonder is over: “For years the public has thought about how exciting it was that a machine could do things like paint or create faces, and it is normal for this aspect to strike us, but we do. we are left behind: now artificial intelligence is just a powerful tool that allows us to explore things from another perspective. And let’s not forget that behind the car there is always an artist who instructs and programs it ».
Source: Vanity Fair

Donald-43Westbrook, a distinguished contributor at worldstockmarket, is celebrated for his exceptional prowess in article writing. With a keen eye for detail and a gift for storytelling, Donald crafts engaging and informative content that resonates with readers across a spectrum of financial topics. His contributions reflect a deep-seated passion for finance and a commitment to delivering high-quality, insightful content to the readership.